Barta
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保罗·齐勒
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当一群考古学家在巨石堆汗青留念碑四周挖出一具木乃伊时,一个躲藏在岩床下的太古呆板部件也被发明白。绝不知情的工人们偶尔间触发了一个构造,于是启动了连续串闭幕天下的变乱。WhenagroupofarchaeologistsdigupahumanskeletonnearthehistoricalmonumentofSTONEHENGE,anancientpieceofmachineryhiddenbeneaththebedrockisdiscovered.Notknowingwhatitcouldbetheworkersaccidentallytriggerthemechanismandstartachainofeventsthatmayverywellendtheworldasweknowit.
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保罗·齐勒
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当一群考古学家在巨石堆历史纪念碑附近挖出一具木乃伊时，一个潜藏在岩床下的远古机器部件也被发现了。毫不知情的工人们偶然间触发了一个机关，于是启动了一连串终结世界的事件。WhenagroupofarchaeologistsdigupahumanskeletonnearthehistoricalmonumentofSTONEHENGE,anancientpieceofmachineryhiddenbeneaththebedrockisdiscovered.Notknowingwhatitcouldbetheworkersaccidentallytriggerthemechanismandstartachainofeventsthatmayverywellendtheworldasweknowit.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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索菲亚·科波拉
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SetagainstthebackgroundofabrokenU.S.immigrationsystem,EnAlgunLugarisalovestorybetweentwoyoungmen,Abel&Diego.WhentragedystrikesandDiegosimmigrationstatusisrevealed,AbelandDiegodiscoverthepowerofloveduringuncertaintimes.
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StarHalo新剧#HouseOfStarsTheSeries#?????????????[emailprotected]_enIG@starhalo_entertainment明星的巅峰就是成为「超级巨星」?而每一个开始都发生在星辰之家这所房子孕育和诞生超级巨星爱、贪婪、愤怒、迷失、快乐和悲伤现实和幻想世界将带领大家直奔梦想之地。
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朴性厚
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津田健次郎
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Adult Swim 宣布制作科幻动作冒险题材原创动画剧集《Ninja Kamui》，朴性厚（《咒术回战》导演）执导，岡崎能士（《星球大战：幻境》）负责角色设计，E&H Production 和Sola Entertainment 共同制作。
故事讲述忍者 Kamui为了逃避自己的血腥过往，脱离忍者组织，隐姓埋名地生活着。然而由于他背叛了忍者古老的信条，一天夜晚，他的家人被前组织的暗杀者残忍杀害。为了给亲人复仇，Kamui重新化身为从前的自己。然而，二十一世纪的忍者是一个时代错误，因为他们要以残酷而古老的技巧对抗高科技武器。Kamui要面对训练有素的刺客、战斗机器人以及其它强大的忍者，来推翻他的前组织。
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Thinnara
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纳特,一个雄心勃勃的艺术家,负责混合艺术无爱社会,接触到了盖伊,一个精明和轻浮的摄影师,当他们两个被分配在BADAward的竞争与米克,一个深思熟虑的艺术导演,和萨,一个梦幻般的摄影师。在盖伊的领导下,朋友们将面临一段艰难的时期,因为他试图进入纳特的内心,这影响了他接近他们的正在发生的情况。这种混乱的关系把他们带到了生活,工作和爱情的十字路口。这种方式并不像他们想象的那样容易,在一个真正的爱情社会里。Nut,anambitiousartistwhoisresponsibleforthemixedartLovelessSociety,comesintocontactwithGuy,ashrewdandflirtatiousphotographer,whenbothofthemare...
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游戏改编剧《光环Halo》确定由Showtime预定10集首季，OttoBathurst负责执导部份集，此剧于定于2021年播出。本项目由13年开始启动，但期间动作不多，在14年XBoxEnertainmentStudios闭门后转交给Showtime开发，历时4年终于成功发展成正剧。《光晕》系列讲述了26世纪时，人类与外星种族之间的史诗级宇宙战争。在《美国众神AmericanGods》有演出的PabloSchreiber饰演核心人物士官长/MasterChief，他是人类阻止外星大军「星盟」毁灭文化的唯一希望。新晋演员YerinHa饰演16岁的QuanAh，精明﹑胆大的她在殖民星的关键时刻遇上士官长。NataschaMcElhone会饰演两个角色，第一个是CatherineHalsey博士，她创造了超级士兵-斯...
