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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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ChefJackandhisassistantLeonardwilltravelthroughtheCulinaryIslandstoparticipateinthebiggestgastronomiccompetitionintheworldand,thus,trytodefeattheiropponents
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Tre Manchester的童贞座 自编自导 A family is torn apart as a result of lengthy absences and bad choices. A man is accused of being guilty, which results in him being named a fugitive. The man's son makes a decision to find his father and bring him home to a town that is struggling to survive.
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08/03/2010:DeathonaStick死在刺上Season3,Episode0109/14/2010:PuttingaSmileyFaceonDeath对死神绽开笑脸Season3,Episode0209/14/2010:StupidisasStupidDies蠢人自有蠢法死Season3,Episode0309/21/2010:DeadWrongs搞错之死Season3,Episode0410/05/2010:FatalDistractions致命的干扰Season3,Episode0510/19/2010:HurryUpandDie快快去死Season3,Episode0610/26/2010:TheEndisWeird不可思议的结局Season3,Episode0711/02/2010:Young,DumbandFullofDeath年轻,无语与充满死亡Season3,Episode0811/02/2010:DeathPutsonaDunceCap带上傻瓜帽去死Season3,Episode0911/09/2010:Today"sMenu:DeepFriedDeath今日菜单:油炸死亡Season3,Episode1011/23/2010:CurefortheCommonDeath常见死亡之治疗篇Season3,Episode1111/30/2010:SuddenDeath突如其来的死亡Season3,Episode1212/07/2010:DyingtoTelltheStory死了都要讲的故事Season3,Episode1312/14/2010:IfYou"reDead---LeaveaMessageandWe"llGetBacktoYou如果你挂了---给我们留言然后我们会给你回复Season3,Episode14
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理查德·莱斯特
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故事发生在17世纪的法国,红衣教主黎塞留(查尔登·海斯顿 Charlton Heston 饰)想要谋权篡位,设下重重阴谋诡计。达达尼昂(麦克尔·约克 Michael York 饰)一心想要报效祖国,于是远赴巴黎想要加入火枪队。在此过程中,达达尼昂结识了阿多斯(奥列佛·里德 Oliver Reed 饰)、波尔多斯(弗兰克·芬莱 Frank Finlay 饰)和阿拉密斯(理查德·查伯兰 Richard Chamberlain 饰),四人不打不相识,成为莫逆之交。 一次偶然中,达达尼昂得知了黎塞留的阴谋,为了斩草除根,黎塞留设计令达达尼昂被判处了死刑,所幸得到了三名火枪手的救助,达达尼昂才捡回了小命。之后,四人将国王从刺客的枪口之下救出,并向绑架了国王和王后的黎塞留宣战。17世纪的法国——红衣主教兼宰相黎塞留阴谋篡权,他把火枪队派往前线作战,目的是为了削弱国王身边的力量。而一心只想加入火枪队的世家子弟达达尼昂正走在来巴黎从军的路上。他与三个火枪手阿多斯、波尔多斯、阿拉密斯不期而遇,并且不打不成交,结成莫逆。达达尼昂无意中听到黎塞留的阴谋,被判处死刑。紧要关头,三个火枪手将其救出。他们决心阻止刺杀国王的行动。就在刺客的枪口已瞄准国王的那一刻,达达尼昂截住刺客。黎塞留将国王和王后扣做人质。双方在宫中展开生死搏斗。最后,火枪手们得胜,受到国王的嘉奖。达达尼昂也如愿成为火枪队的正式成员。
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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Addresses the legend of a film, long thought lost, that resulted in death or injury for the few who saw it. Then reveals that killer film, titled "Antrum," has been found, and shows it.
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瓦迪姆·佩尔曼
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Katyaisagirlfromawealthyfamilywhoyearnsforadventure.KeepingitsecretfromhermothersheappliestoamodelagencyandgoestoDubaitotakepartinafashionshow.Butinsteadshefindsherselfinaninternationalprostitutiontraffickingnetwork.KatyatakesitasafunvacationandmiraculouslyescapesproblemswithArabsheikhs.InEmiratesshemeetsLizaandtheygobacktoMoscowtogether.LisaandherroommateGalyaaremakingtheirlivingbydatingrichmenandtheyletKatyastaywiththeminasmallrentedapartment.
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Corporate smuggling of South American killer bees into the United States results in huge swarms terrorizing the northern hemisphere. A small team of scientists work desperately to destroy the threat, but the bees soon mutate into a super-intelligent species that threatens the world.