Cadilla

吉尔（欧文•威尔逊 Owen Wilson 饰）携未婚妻伊内兹（瑞秋•麦克亚当斯 Rachel McAdams 饰）陪着岳父岳母来巴黎度假。他希望留在巴黎完成自己的第一部小说，但是伊内兹及其父母坚决反对。在一次用餐时，伊内兹遇到了昔日同学保罗夫妇，他们一同出游。保罗到处卖弄，跟导游（卡拉•布吕尼 Carla Bruni 饰）喋喋不休，令吉尔反感不已。午夜时分，他独自走在巴黎的街头，却被一辆路过的马车吸引住了。他随马车来到了一个名流派对，阴差阳错地结识了海明威、毕加索、菲茨杰拉德、达利（阿德里安•布洛迪 Adrien Brody 饰）、斯坦因（凯西•贝茨 Kathy Bates 饰）等，而且他更是迷恋上了毕加索和莫迪尼亚里的情人阿德里亚娜（玛丽昂•歌迪亚 Marion Cotillard 饰）。他乐此不疲地穿越，而由此发生的一切都让他无可救药地爱上了巴黎这座城市……伍迪艾伦凭此片获69届金球奖最佳编剧©豆瓣

欢送来病院值日班,但必需忠告你：你天天都要同时面临挽救性命的磨练跟经营一家病院的暗中本相。假如把这两件事件加在一同,你或许就不会以为这是一份能够展示“勇敢之举”的好差事了。在圣安东尼奥留念病院,值午日班跟清晨班的人平日是一群“特殊种类”——特殊是轻易高兴的T.C. Callahan（Eoin Macken）。他曾是个军医,去过残暴的中东疆场。然而他很快就会发明一个现实：最艰苦的战役并非产生在疆场上,而是在一所真正的病院里,在本人的家中。

一次偶尔之中,布莱莎（Emmanuelle Chaulet 饰）结识了名为莉亚（Sophie Renoir 饰）的男子,志趣相投的两人很快成为了友人。莉亚年青爽朗,神往炙热熄灭的恋情,显然她那木讷的男友费宾（Eric Viellard 饰）并弗成以使她满足。而布莱莎苦苦暗恋着风骚倜傥的亚历山大（François-Eric Gendron 饰）,可亚历山大曾经有了一个特性怪僻的女友。 看出了布莱莎的心理,莉亚制作了各种的机遇让布莱莎跟亚历山大独处,可布莱莎老是在主要关头恐惧退缩,但当她跟费宾在一同相处时,两人却又有着说不完的话,相互之间觉得非常自由。终于,布莱莎跟费宾有了精神关联,当布莱莎被愧疚困扰之时,却发明莉亚对她瞒哄了一个机密。

FromthedirectorandproducersofTheSevenFivecomesOperationOdessa,atruecrimethrilleraboutaRussianmobster,aMiamiplayboyandaCubanspywhoteameduptosellanuclearsubmarinetoaColombiandrugcartel.AgangsterepicthathopscotchesfromBrooklyntoMiamiandCalitoMoscow,thedocumentarytellsthestoryofthreefriendswhosetouttohustletheRussianmob,theCalicartel,andtheDEAforthescoreofalifetime.Thetalebecameaninternationalmediasensation.Butthetruthaboutwhatreallyhappenedhasremainedanunderworldmyth-untilnow.

"WithDCIGillMurrayinretirement,ever-ambitiousRachel(SuranneJones)returnsfromherVicesecondmentfiredupandfullofnewideasandinitiatives.She’sgainedvaluableexperienceandreallywantstomakehermarkasshereturnstoSyndicate9’sMurderSquad.Exhilaratedtostepuptotheplate,RachelisexactlywhoJanet(LesleySharp)andtheSquadneedtomoveforwardwithaterrifyingandsinisterInternetcrimeinvestigationofepicscaleandunrelentinghorror.UsingherViceauthorisation,Rachelaccessesadisturbingworldwherepeoplebragaboutcommittingmurderandlaydownthegauntletforthenextvictim.Agameofruthlesslifeordeathdaringdevelops,asScott&Baileyinvestigatemultiplekillerswithhorrifyingandeverlastingconsequences.Theywillbechangedforeverandtheinvestigationwilltakeadevastatingtollontheirprivate,professionalandpersonallives."ThedramawillbeexecutiveproducedbyNicolaShindler(HappyValley,LastTangoinHalifax,Banana,Cucumber)founderoftheRedProductionCompanyandproducedbyMichaelaEccleston,Red’sHeadofProduction.SuranneJones,whoconceivedtheideaforthedramawithfellowactressSallyLindsay,willalsoexecutiveproducealongsideNicola.SallyLindsayalsoreturnstothedramaplayingRachel’ssisterAlison.5-1RachelstepsuptoactingDIonacasethatbecomesmoresinisterthanitfirstappeared.

冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html

客岁過世的波蘭導演耶吉‧卡瓦萊洛威茲,是「Polish Film School運動」中的代表人物之一。其作品擅長以影像呈現細膩的細節,累積給予觀者強烈的震能源。議題圍繞個人在社會備受政治或戰爭壓迫下,人道的掙扎與品德的選擇。這些深具豐富意涵的創作文本,也讓他的作品深受影壇重視。1951年拍攝首部劇情長片「The Village Mill」,隨後实现「Shadow」(1956) ,以及本片「夜車」,這些影片都被視為相當具時代代表性的波蘭電影。卡瓦萊洛威茲亦曾主掌着名的KADR 製作部門,安德烈華依達!塔都茲考威克(Tadeusz Konwicki) 跟尤利斯馬休斯基(Juliusz Machulski)都曾在其製作部門任务。他最為人所熟知的影片莫過於1961年的「修女約安娜」,以及1966年改編自Bolesław Prus的歷史小說「Pharaoh」,本片亦入圍了1967的奧斯卡最佳外語片。「夜車」敘述一對男女Jerzy跟Marta不测埠在前去波羅地海邊Hel的夜車上共處一室。一表人才的Jerzy狀似緊張,看來像是在回避追趕,Marta剛開始也缄默不言,渐渐的兩人才成為友人。在車上還有愛慕著Marta的男孩Staszek,以及擁有豔光四射的年輕太太的老律師。當火車停靠在一個小站裡,警方上車開始搜寻惧罪潛逃的殺人犯時,谣言開始四起,都將警方要緝捕的對象,指向這個車廂中的Jerzy跟Marta…。差别於當時深受義大利新寫實主義影響的「Polish Film School運動」作品,「夜車」瀰漫著希區考克式的懸疑詭譎氣氛。全片的劇情推展在火車內進行,封閉的車廂成為卡瓦萊洛威茲最好的發展空間。火車上搭客間相互的猜疑與不信赖,可說是當時波蘭共產社會的最佳寫照,也是一部波蘭影史主要的傑作。

MikeBiggs(Billymeijubar.netGardell饰)是一个体型稍显肥胖却心地善良的芝加哥警员，于一次偶然的机会在肥胖人士匿名交友会结识了同样体型丰满的小学老师MollyFlynn(MelissaMcCarthy饰)。二人从相识、相恋一路走来，和家人、朋友之间发生了无数令人捧腹的囧事。然而每一次啼笑皆非的状况背后，却总是氤氲着暖暖的温情。正如Mike的搭档CarlMcMillan(RenoWilson饰)所说，他们之所以拥有稍显庞大的身躯，是为了能够装得下他们宽广的心。在第一季末，Mike终于克服了自己的承诺恐惧症，在与Molly交往七个月后，将那枚在他们相识后两周就买下的订婚戒指交给了她。二人的婚后生活又会碰撞出怎样的火花，尽请期待9月27日回归的MikeandMolly第二季。

Sevilla,1920.Teresa,unamujerdecuarentaaos,llegaaSevillahuyendodelmisteriosoasesinatodelembajadorespaolenLisboaytraslapistadeunnombre:RobertaLuna,unaalumnadelaacademiadeseoritasdelaciudad.Intentandorecabarinformaciónsobrelajoven,TeresadecidehacersepasarporprofesoraysolicitaplazaenlaAcademia.TrassorprenderalanuevadirectoraManuelaporsusideasprogresistasysunuevamentalidad,Teresaconsigueelpuestoypasaaserunamásenelplanteldeprofesorasdelaacademia.Sinembargo,notodovaaserigualdefácilparaTeresa,yaqueallíseencuentraconlaoposicióndesucompaeramásexperimentada,Luisa,yladesmotivacióndeunasalumnasquenuncahanrecibidounaeducaciónquelesayudeapensaryavalerseporsímismas.

冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html