Tatsu
搜索"Tatsu" ，找到 以下影视作品
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AteamofmutantsuperheroesfightforjusticeandhumanacceptanceintheMarvelComicsuniverse.
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山姆·兹维布尔曼
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玛雅·厄斯金
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安娜·康克尔
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Mutsuko Erskine
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梅洛拉·沃尔特斯
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布拉迪·艾伦
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乔纳斯·贝尔斯
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Taj Cross
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托尼·埃斯皮诺萨
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Dylan Gage
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Carmina Garay
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Lincoln Jolly
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Nathaniel Matulessya
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安娜·尼奥斯基
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Jessica Pressley
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Keyon Spinks
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Caryn West
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Pen15 - is middle school as it really happened in the year 2000. Anna Konkle and Maya Erskine play versions of themselves as thirteen year old outcasts, surrounded by actual thirteen year olds.
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今村圭佑
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中日混血棄子Tsubame，飄洋過海來到這個母親說很美的地方，尋回自我認同的起點，體悟到失去的反而是收穫。Tsubame 五歲起和母親分隔兩地，直到成年後仍無法釋懷為何別離，即使是溫柔的繼母也不甚了解他的心思。在父親的懇求下，他前往母親的故鄉台灣和失聯23 年的哥哥見面。在和哥哥的孩子相處過程中，他幾次回憶起童年時與母親相處的片刻，漸漸理解自己其實從未被拋下?? 今村圭佑長期以攝影指導身份，與導演藤井道人合作，本片為其首部執導劇情長片，在高雄市取景，將南台灣 的烈陽與港都的粼光融成一幅幅濃烈的光景，以為早已逝去的母愛，遂隨倦燕歸巢盈滿眼眶。導演藉由無所不 在的新住民母語議題，拆解族裔的區隔; 常民生活的街頭巷尾、嘈雜的市集和靜默的墓地，似是異鄉的故鄉， 最是魔幻寫實的成長敘事。
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"LastChanceU"followsagroupofyoungmentrainingtobecomethefuturestarsoftheNFL.BasedatEastMississippiCommunityCollege(EMCC),"LastChanceU"takesusonajourneytounderstandtherealmenofthegridironatoneofthemostsuccessful,butleastknownathleticprograms.Eachplayerhasincredibletalentanddrivetobethebest,buteachfacetheirownuniq...
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Inthenottoodistantfuture,aviralplaguehasswepttheearth.Inamatterofweeks,itdecimated99%ofmen.The1%weresenttoTheFacilityinNewZealandbutdidntsurvive.Ordidthey?
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扬·加斯曼
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99Moonshomesinontwocharactersunitedbyfeelingsborderingonobsession.There’sBigna,aresearcherspecialisingintsunamiswho’salmostthirtyandonthepointofrelocatingtoChileforworkreasons,andthirty-three-year-oldFrank,whowillshakeupherconvictionstothepointshedecidestostay.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Thisseriesissetinthelonghotsummerof1959andweddingseasonisinfullswingintheCambridgeshirevillageofGrantchester.AstheReverendWillDavenportuniteshappycouplesinholymatrimony,DetectiveInspectiveGeordieKeatingisbusyaseverinvestigatingarangeoflocalmurdercases.Withanewdecadejustaroundthecorner,thequestionofwhatthefuturehold...
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Inthesummerof2006,RobReilly(KillianScott),asmartsuitedhomicidedetectiveandhispartnerCassie(SarahGreene)aredispatchedtoinvestigateachild’smurderandfindacommunitycaughtbetweenoldandnewIreland.Onanaltarliesthebodyofalocalteenagegirl,precociouslytalentedKatyDevlin(AmyMacken).Herbodyisfoundinthemiddleofanarcheologicalsite,threatenedbylocaldevelopersaimingtobuildashinynewmotorway.Theneighbouringestate,Knocknaree,hasneverquitegotitsshareofthe‘CelticTiger’andhasbeenblightedbypovertyandunemploymentforgenerations.Moreover,thisisthenotthefirsttimeachildofKnocknareehasbeenlost:21yearsearlier,inaverydifferentIreland,threechildrenwentmissingandonlyoneevercamebackalive.Memoryrunsdeepinthispartoftheworld,andlocals,pressandtheDublinPoliceworrythatthecasesarelinked.
