Parro

澳大利亚剧集「Harrow」由StephenM.Irwin跟LeighMcGrath创作,报告了一位纷歧般的司法病理医师DanielHarrow大夫（「不逝世法医Forever」的男主IoanGruffuddGruffudd饰）的故事。他聪慧﹑不走平常路,并且可能是一个行刺犯！他鄙弃威望但为受害人经心努力,让他处理了一个个奇案；他能让受害者启齿谈话,但为了追求本相他不吝所有价值。而一个他从前的机密威逼到了他的家人!奇迹跟他自己时,Harrow须要尽他所能埋葬一个凶案的机密。

The series follows a group of six students about to embark on the most exciting period of their lives thus far University! Away from home for the first time, on the brink of adult life, they are about to discover who they really are. From the moment they ship up as freshers at their shared house, their lives are destined to collide, overlap and run the whole gamut of appalling behaviour and terrible errors of judgement.

CBSAllAccess过去直接预订真实罪案剧《审讯Interrogation》，这部AndersWeidemann及JohnMankiewicz主创的剧集改编自一宗横跨30多年的真实事件，讲述一个年轻人被指控谋杀了母亲，剧中会有多条时间线。在《审讯》每一集中都围绕在案件的警察审讯，致在让观众成为警探。而CBSAllAccess表示为配合这设定，他们将探取较不寻常的播放方式，就是2至9集是可任意乱序观看。

ViuTV去年已買下大熱BL日劇《大叔的愛》版權，但一直未有更多消息傳出。今日終於有消息指，港版《大叔的愛》將由57歲的黃德斌飾演黑澤部長一角，而主角春田就由MIRROR成員Edan（呂爵安）飾演，至於部長的情敵、同樣暗戀春田的牧凌太就由MIRROR另一成員AnsonLo（盧瀚霆）擔任。據悉其他演員都是ViuTV班底，預計本月底開拍。

本片依据实在汗青变乱改编。1971年,黑人保守构造引导迈克尔X因贩毒被控诉,但因他一年前获得了英国皇室成员玛格丽特公主的私密相片并以此威胁官方而被释放。英国军情五处任务职员提姆（Richard Lintern 饰）授命取回珍藏在伦敦某银行的这批相片。提姆物色到贩毒男子玛婷（Saffron Burrows 饰）,威胁她掳掠银行来为本人获得相片。玛婷很快同以泰瑞（Jason Statham 饰）为首的多少个半职业罪犯或新秀构成了筹划挖隧道虏掠保险库的团伙。泰瑞等人如愿将保险库洗劫,但赃物却让他们坐破不安：波及皇室成员的私密相片!银内行行贿官员的账本!高官们弗成告人的肮脏喜好……因为一位无线电喜好者有意间听到了他们作案时的对话内容,此案掀起轩然大波,泰瑞等人堕入了种种权势争取的中央,他只能借助手上的证据苦苦周旋……©豆瓣

Ruth & Alex is set over a weekend where a couple (Morgan Freeman and Diane Keaton) must decide whether or not to sell their Brooklyn walk up of 40 - years. The story takes a comedic turn when the dynamic couple have to contend with eccentric open house guests, their pushy realtor niece, and the health of their beloved family dog — all while navigating a New York on edge from what turns out to be an media-generated terror threat.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

迈克（马特达蒙MattDamon饰）是一个法律系二年级的学生，但他却因为一次跟赌场老板泰迪（约翰马尔科维奇JohnMalkovich饰）的赌博输掉了所有的积蓄。在朋友克尼什（约翰特托罗JohnTurturro饰）劝慰下，迈克立下誓言，从此不碰赌博。不过，他还是在教授的牌局上露了一手，技惊四座。在接老朋友虫子（爱德华诺顿EdwardNorton饰）出狱的时候，迈克违背了自己的誓言，重出江湖。为了帮助虫子，他甚至延误了模拟法庭的实习。此后，女友乔发现了迈克涉赌的证据，与他分手，这令他非常沮丧。迈克在虫子的怂恿下，接连参与赌局。事后，却发现自己被虫子摆了一道，欠下了巨款。他找到虫子，后者在被逼之下吐露了实情：原来虫子被凶悍的债主逼得走投无路。为了友情，他接受了债主苛刻的条件，但是却陷入了更加艰难的困境……

AcollectionofchildrenshorrorstoriesbyR.L.Stine.

爱丽斯（米娅·华希科沃斯卡 Mia Wasikowska 饰）一直被统一个梦魇所困扰,直到她20岁时加入的一场集会。本以为是一场无聊至极的集会罢了,没想到倒是经心谋划的求婚典礼。面临娇生惯养的令郎哥哈米什从天而降的求婚,毫无预备的爱丽斯实在被吓了一跳。爱丽斯被一单身马甲 的兔子所吸引,在追逐进程中爱丽斯掉落入了一个深不见底的树洞里,离开了一个犹如瑶池般可想而知的“地来天下”。此时,生涯在地来天下的仁慈人们好像都在希望着她的到来,但是她却以为这是一场梦,只想快点醒过往返到事实天下。但是,在意识疯疯癫癫的疯帽子（约翰尼·德普 Johnny Depp 饰）之后,爱丽斯才晓得地来天下正处于“红桃皇后”（海伦娜·伯翰·卡特 Helena Bonham Carter 饰）的血腥统治之下,依照“皇历”的预言,只有她能力赞助“白色皇后”（安妮·海瑟薇 Anne Hathaway 饰）克服“红桃皇后”,让地来天下重归跟气与安定……这部迪士尼的3D破体片子由曾带给人们有数惊喜的奇幻巨匠蒂姆·波顿（Tim Burton）执导,其灵感来自于英国有名童话巨匠刘易斯·卡洛尔（Lewis Carroll）的「爱丽斯周游瑶池」跟「爱丽丝镜中奇遇记」。©豆瓣