Director
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洪在嬉
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一日，不會用電腦的老爸突然寄給當導演的女兒一份由43封電子郵件組成的回憶錄。43封郵件滿滿是父親對家人的虧欠與抱歉，甚至是向絕交許久的親人乞求原諒並重修舊好。這一長串的信件也代表著父親見證歷史戰爭、國際賽事及韓國社會變遷的一生。Thedirector’sfatherwhodidnotknowhowtouseacomputerleftheranautobiographyviae-mail.The43e-mailsarearegretfulautobiographyofthedirector’sfather,aswellasaletterforforgivenessandreconciliationwithhisfamilymemberswithwhomhehad...
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Picture-perfectNeve(CountyLine’sAshleyMadekwe)hasitall–abeautifulfamilyandalavishlifestyle.Sheisthetoastofherupper-middle-classsuburbancommunity,havingworkedveryhardtogettothetop.However,herpristineveneercrackswhenshestartstoseeacoupleofmysteriousfiguresaroundhertown.Writer-directorNathanielMartello-White’sthought-provokingthrillerfeaturesitsfairshareoftwistsandascene-stealingturnfromBukkyBakray(Rocks).
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金赵光寿
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YoucanhearthelovesickheartbreakalloverSeoulwhenover-emotionalHa-neulbreaksupwithhisclosetedboyfriendandmovesinwithhisbestie,anonlinecelebritywhohascommitmentissuesofhisown.Addahandsomebartender,aSiamesecat,andanosyneighbortothemix,andyougetthisbreezy,sentimentalgaycharmer,thelatestfeaturefromdirectorKimJhoGwang-soo.
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托姆·齐穆尼
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The nearly 50 years prolific carrier of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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格雷格·巴克
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The Emmy® and Peabody winning creators and executive producers of HOMELAND, Alex Gansa and Howard Gordon, team up with Emmy® winning director Greg Barker for this documentary feature, which unpacks the human stories and drama behind America's in册vement in Afghanistan, now the longest war in U.S. history. First-hand witnesses — ranging from U.S. intelligence operatives, to soldiers and their families, Afghan officials, journalists, top government and military officials — bring their experiences to life through emotional interviews.
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A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.…
