Vidisha
搜索"Vidisha" ，找到 以下影视作品
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Donatas
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Simukauskas
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Gabija
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Bargailaite
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Povilas
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Jatkevicius
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Sarunas
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Rapolas
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Meliesius
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NobloodyslashershaveeverbeforebeenmadeinLithuania.TakashiMiike’sdie-hardestfanJonasTrukanasaccomplishedhisdreamandindependentlycreatedaninventivelyrippinghorrorthrillerwithaminimalbudget.Bewitchingfromthefirstminutes,thedynamicchasebuildsascaryatmosphereofdanger,fearandhorror,whilealsoclingingtoluckandchance.“Bethehunters...
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安迪·海伊
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IntheChristmasspecial,it’sChristmasinDarrowby,andHelenandJamesrealisetheyhaven’tagreedonwherethey’respendingChristmasDay.MrsHallisexpectingthematSkeldaleandJennyisexpectingthematHestonGrange,andthepairarereluctanttodisappointeitherofthem.Thesituationraisesbiggerquestionsaboutwhattheirliveswilllooklikeinthefuture.Whenabelovedlocalpetistakenseriouslyill,Siegfriedhastobringitintothepracticeforemergencytreatment.Inthefaceofsuchanemergency,HelenendsupfeelinglikeasparepartattheSkeldaleChristmasparty,butfellowfarmerDaveKitsoncouldendupbeingthesolutiontoHelenfindingherplaceatSkeldale,andthekeytotheanimal’ssurvival.Tristanlearnsthatitmightbetimetotakehimselfmoreseriouslyandrevealssomeimportantnews,whileacardfromJames’sfatheraskinghimtophonethemonChristmasDayleavesJamesontenterhooksaboutwhetherhecanmakeamendswithhisfamily.
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Satyendra aka Sattu (Rajkummar Rao) and Aarti (Kriti Kharbanda) meet for a proposed arranged marriage and fall in love in the process. On the night of their marriage, an unexpected turn of events turns their world upside down. Set in the backdrop of India's civil services, Shaadi Mein Zaroor Aana explores the challenges that Satyendra and Aarti face as a middle-class couple in India.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
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BBCOne及HBO合拍8集剧《杰克绅士GentlemanJack》（前名《ShibdenHall》）由SallyWainwright负责，美方现定于美国时间4月22日首播，英方会较晚播出。《杰克绅士》是根据现实人物AnneLister所改篇，在1832年的Halifax，被当地人称为杰克绅士/GentlemanJack的AnneLister（SuranneJones饰）是个富有的地主，她亦是位日记作者﹑旅行家，并且自知及开放地以女同性恋身份生活的人，被称为”Thefirstmodernlesbian”。剧中将会描述她与家人﹑仆人﹑房客﹑商业对手，以及同性恋人AnnWalker之间的关系。其余演员包括SophieRundle﹑DerekRiddell﹑VeronicaClifford﹑SylviaSyms﹑BrendanPatricks﹑CasparPhillipson﹑PollyMaberly﹑LucyBlack﹑StephanieHyam﹑DinoFetscher﹑RupertVansittart﹑MichaelXavier﹑GemmaWhelan﹑TimothyWest﹑GemmaJones﹑StephanieCole﹑PeterDavison﹑AmeliaBullmore﹑VincentFranklin﹑ShaunDooley﹑JoeArmstrong及RosieCavaliero。
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新西兰笑剧片子「四序友缘人」的暖和好像凑巧燃起的红炉。初次执导长片的Hamish Bennett同时也是一名先生,透过「四序友缘人」延长本身的短片作品「Ross & Beth」,重探新西兰北岛农夫缄默而关闭的天下。当爱妻猝逝,Ross与同本人一模一样!不擅言词的儿子各分货色,他生机儿子能继续家属工业,但不善务农的儿子却占有本人酷爱的任务。扮演Bruce下属的Rachel House表示亮眼,而年青的Kahukura Retimana扮演酷爱乡土的毛利少年,表示亦相称出色,恰到好处地陪衬出本片配角父子档Marshall Napier及Cohen Holloway极富沾染力的敌手戏。拍摄取景的乡村场景及此中抢镜的牲畜,在拍照师Grant McKinnon的精致操刀下也分外令人打动。
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FilminghasbegunonthethirdseriesofpopulardetectivedramaMcDonald&DoddsstarringTalaGouveiaandJasonWatkinsintheleadroles.ThelatestseriesseesClaireSkinner(Outnumbered)jointhecastasChiefSuperintendentOrmond.ReunitingDCIMcDonald,playedbyTalaGouveia,andDSDodds,playedbyBAFTAawardwinneractorJasonWatkins,seasonthreeoftheBathsetdetectiveseriesconsistsoffourstandalonefilms.LilySacofskyreturnsasDCMilenaPachiowskiwithDanyalIsmailjoiningthecastasDCMartinMalikSpeakingaboutherroleinthenewseries,ClaireSkinner,said:"I'mahugefanofMcDonald&DoddssoI'mdelightedtobejoiningthecastasChiefSuperintendentOrmond.Ormondisaquietlyintimidatingcharactersoshe'llbekeepingMcDonald&Doddsontheirtoesthroughoutthisnewseries."Inthefirstfilm,Belvedere,ayoungwomanisfounddeadsittinginadeckchairinbroaddaylightinoneofBath’smostbeautifulandpopulatedparks.Whydidthiswomandiewithasmileonherface?GuestcastmembersstarringinthefirstfilmincludeAlanDavies(JonathanCreek),HollyAird(WakingTheDead),,CatherineTyldesley(CoronationStreet)andDameSiânPhillips(I,Claudius).TheserieswascommissionedforITVbyPollyHillandHuwKennairJonesandwillbeproducedbyRebeccaDavies.ExecutiveproducersareDamienTimmerandcreatorandleadwriterRobertMurphy.RobertMurphyhaswrittenfilmsoneandfour,RobertDrummondhaswrittenfilmtwoandKamOdedrahaswrittenfilmthree.DirectorsareRobertQuinn,IsherSahota,IanAryehandSashaRansome.McDonald&DoddsisproducedbyleadingindependentproductioncompanyMammothScreen,co-producedbyBritBoxNorthAmerica,andcreatedbyRobertMurphy.Seriestwoachievedconsolidatedratingsof6.7m.ThefirstandsecondseriesareavailabletoviewviastreamingplatformBritboxNorthAmerica.ITVStudioswilldistributethedramainternationally.MammothScreenisoneoftheUK’sleadingproductioncompanies.PastandforthcomingshowsincludeTheSerpentforBBC/Netflix,Noughts+Crosses,WorldonFireandGrimeKidsfortheBBC,WhyDidn’tTheyAskEvansforBritboxandEndeavourandTheTowerforITV.MammothScreenisanITVStudiosCompany.
