Gaver
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上田笃司
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一座毗邻海边的小城市，音滨高中合唱部的高二女生远野未来（山本舞香 饰）正经历着青春年代一段足以铭记一生的时刻。她性格羞赧内向，却十分喜欢歌唱，或许加入合唱部的初衷还有一部分来自于那位帅气的前辈樱音晴（浅香航大 饰）。虽则如此，连未来自己也弄不清这样的心情是否就算是爱恋。这一天，合唱部的孩子们得知担当顾问的老师高田芽衣子（田畑智子 饰）即将离职的消息。芽衣子踌躇满志，为了夺得即将到来的合唱大赛冠军，她没有听从大多数人的意见选一些寻常曲目，而是确定了由樱音晴制作的高难度曲目《樱之雨》。复杂的编排和技巧以及芽衣子魔鬼般的严格训练，令成员们哀鸿遍野，心情极度低落。在此期间，未来的好友鹿岛友梨（三浦透子 饰）坦白了对晴学长的爱慕，这让未来徘徊在友情和爱情之间左右为难。与此同时，晴学长也若有所思，他对自己的未来暗下决心。看似平凡如初，但身边的每一个人都悄悄发生着大大小小的变化，这一切都令未来倍感不安。仿佛没有止境的练习，让人几乎忘记时间的流逝。不知不觉间，大赛的日子临近了，成员们却依旧抱持着种种的不自信。士气低落的合唱部，也许正需要一份助力向前迈进……使用声音合成软件初音未来制作而成的《樱之雨》，已成为中学生必唱的毕业歌曲，此次被改编为写实青春群像电影。乐曲的制作者halyosy根据VOCALOID人物的学园生活倾情原创。描绘了被美丽大自然包围的小镇上的高中里，为合唱部的活动而倾注热情的少年们的青春生活。扮演主人公未来的，是首次主演电影的山本舞香，曾出演过《暗杀教室》。未来在成长过程中，感受到朋友们的焦灼，并为寻找自己的栖身之处而奋斗。共演的是出演《听说桐岛要退部》的浅香航大，写实电影版《魔女宅急便》的广田亮平，和《青鬼 ver.2.0》的久松郁实。
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Anightofunimaginableterrorawaitstwelve-year-old,Bobby,andhisbestfriend,Kevin,whentheyareabductedontheirwayhomefromschool.Managingtoescapehisconfines,Bobbynavigatesthedarkhalls,prayinghispresencegoesunnoticedasheavoidshiscaptorateveryturn.Evenworseisthearrivalofanotherderangedstranger,whosemysteriousarrangementwiththeki...
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AboutaweekaftertheWoodsfamilymoveintoXaosHouse,theirdaughterElliegoesmissingduringapowercut.Ellie'smotherKeirainvestigatesandfindsthatthewallshavestrangesymbolsengravedintothem.AfteranumberofterrifyingsupernaturalexperiencesshecomestotheconclusionthatthehousetookEllie.ShediscoversthataphysicistandoccultistcalledJohnF...
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In the year 2024, a fierce battle rages on between a ruthless villain and an android resistance group. Prsents a strong case for waging a war over rights of possession.
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迭戈·哈尔维斯
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Afteragovernorissuesanexecutiveordertoarrestthechildrenofundocumentedimmigrants,thenewlydetainedyouthareofferedanopportunitytohavetheirchargesdroppedbyvolunteeringtoprovidecaretotheelderly.Onceinsidetheeldercarefacility,thevolunteersdiscoverthegovernorandthefacility’ssupervisorhavecookedupahorrifyinglydepravedconspiracytha...
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《#星际之门#Stargate》剧集系列自《星际之门：宇宙StargateUniverse》被砍后一直停摆，不过MGM宣布他们将拍摄10集网剧《星际之门：起源StargateOrigins》，以CatherineLangford为主角。（今年亦是《星际之门SG-1StargateSG-1》的第20周年）《星际之门：起源》由MarkIlvedson和JustinMichaelTerry执笔﹑MercedesBryceMorgan执导，会以全新篇幅讲述CatherineLangford与星际之门之间的早期故事；年轻的Catherine在意料外的冒险中解开了星际之门的神秘面纱，并同时在黑暗力量手中拯救地球。
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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Saturday Night Live had its thirtieth season on the 2004-2005 television season on NBC. The thirtieth season began on October 2, 2004 and ended on May 21, 2005 with 20 episodes in all.
Before the start of this season, Jimmy Fallon left the show. In the wake of his departure, Fred Armisen was promoted to repertory status, while Finesse Mitchell and Kenan Thompson remained feature players.
New cast members this season include Rob Riggle, an improv edian (at the Upright Citizens Brigade Theater) and U.S. Marine. This would be Riggle's only season on the show. In addition, SNL writer Jason Sudeikis (who appeared in many bit roles prior to joining the cast) joined the cast as a featured player for the last three episodes of the season.
With Fallon gone, Amy Poehler became Tina Fey's co-anchor on Weekend Update, making Fey and Poehler the first (and, so far, only) two-woman anchor team.
This season was also notable for Ashlee Simpson's infamous lip-syncing gaffe during her second performance (on the episode hosted by Jude Law). This season was also home to many sketches focused on the 2004 U.S. Presidential election, but, unlike the 2000 election (and later the 2008 election), there was little to no media coverage about the sketches.
This season was also, like seasons 6, 11, and 20 before it, lambasted for its relative poor quality. Many of the sketches were seen as "boring" and "fashionable".
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
