James、Aida
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雷·巴佛
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Alookatthelayersofintrigue,fromthesuperchargedpowerofdigitalcommunitiestothegamificationoftrading.
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金定恩
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Gyeong-ahworksasacaregiverandlivesalone.Theonlyoneshecanrelyonisherdaughter,Yeon-su,butit'shardtoseeheraftershemovedoutonherown.Meanwhile,Yeon-su,whoissufferingfromherex-boyfriend,Sang-hyun,argueswithhimagainandvisitshermother’shouse.AfterYeon-suleft,Gyeong-ahreceivesashockingmessagefromastranger.
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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圣诞前夕，11岁女孩佐伊·韦弗（艾米丽·亚哈伯曼 Amelia·Haberman饰）刻薄的养父母在自家双双被害，身体自燃烧成了焦炭，怪异案情让警方束手无策。为查找线索，协助警方办案同样身为养母的儿童心理学家瑞秋·斯图尔特（莫妮卡·恩格塞尔 Monica Engesser饰）和正受困于婚姻危机的警探迈尔斯·奥康纳（詹姆斯·雷 James Ray饰）探访了暂时安身儿科医院的佐伊。在不断接触和调查中，瑞秋发现佐伊不仅古怪、阴郁以恐怖玩偶“圣诞恶魔krampus”作伴，还有不为人知的可怕过去。 随着自燃案件陆续发生，瑞秋意识到似乎一切都与女孩和她的玩偶有关，清算才刚刚开始······
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洛奇林·莫罗
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乔纳森·利普尼基
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蒂莫西·V·墨菲
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艾比·罗斯
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艾莉森·巴思
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Catherine Lough Haggquist
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约翰·卡西尼
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Megan Peta Hill
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Avery Konrad
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詹娜·伯曼
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安妮特·赖利
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Matthew Nelson-Mahood
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科里·拉奇
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Phoebe Miu
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内尔斯·莱纳森
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A listless grand-daughter, Chance Sinclair (Avery Konrad), is sentenced to live with her draconian grand-father, August (Timothy V. Murphy) after a violent incident at school and begins to question the source of her families immense wealth and power. When Chance's scheming Mom, June (Annette Reilly), hires a troubled chef, Sydney (Johnathan Lipnicki), to poison August, the family's monstrous secrets are revealed over the course of one bloody night. Every soul is up for grabs as The Sinclair Family Games Night gets underway and Chance learns that being apart of this family is a blood-in, blood-out proposition.
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丹尼斯·杜根
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Chuck Levine（Adam Sandler 饰）跟Larry Valentine（Kevin James 饰）是统一个消防站的消防队员,二人在任务上默契实足,更是无话不谈的好兄弟。私底下,Chuck Levine是一个无女不欢的纨绔后辈；而Larry Valentine却对已故前妻情有独钟,经心照顾他们的一双小后代。 为了让孩子成为本人的人身保险受益人,Larry Valentine必需完婚,对女人兴致缺缺的他,想出了一个“好想法”：跟Chuck Levine扮成同性恋假完婚。 乱糟糟的婚礼之后,两人的生涯产生了天翻地覆的变更。为了敷衍当局官员的检讨,他们住在了一同,并加入同性恋派对,面反抗议的人平易近大方陈辞,乃至大打脱手,从“假玻璃”酿成“真斗士”,在同性情人群中着名度敏捷扩展,然而也遭到消防队共事的轻视。更要命的是,Chuck Levine好像赶上了他的真命天女：为他们辩解的美人状师（Jessica Biel 饰）。两人暗生情愫,然而苦于,Chuck Levine的同道身份,无奈进一步开展。 事件很快超越了Chuck Levine跟Larry Valentine的掌握规模,怎么将生涯归入正轨,成为他们不得不想方法处理的疑问。
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汤姆（詹姆斯·弗兰科 James Franco 饰）与安娜（凯特·哈德森 Kate Hudson 饰）是一对儿生活在伦敦的美国夫妇，受到金融风暴影响,生活陷入拮据困境。在即将面临被驱逐的紧要时刻，一笔“意外之财”从天而降。岂料私藏这笔钱没有想象中容易。在这背后竟然隐藏着一场连环黑吃黑的毒品交易和精心策划的复仇计划。黑帮老大，成瘾毒贩，资深警探，普通良民，每个人怀着不同的心思，绞尽脑汁、机关算尽，上演着谎言与谎言的明争暗斗。而为了独享这笔“横财”，真正头破血流的绝杀逃亡也拉开了序幕……
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伉俪档亚伦·泰勒-约翰逊与萨姆·泰勒-约翰逊又要协作了,他们将把“如雷贯耳”的滞销书!报告吸毒“瘾正人”的「百万碎片」(A Million Little Pieces)拍成片子,筹划老公出演!老婆导演。两人曾如许协作片子「无处的男孩」(并因而相恋)。「百万碎片」名目也很狗血：原作是James Frey写的书,卖得异常好,03年推出后就是各大片子公司争取的目的,并在昔时由华纳获得改编权,布拉德·皮特跟詹妮弗·安妮斯顿!布拉德·格雷任制片人。但是片子还没拍好,2006年Frey被曝出丑闻,这本市道上被归类为“自传”的书搀杂了许多不实信息,Frey对他的阅历直接了润饰润饰。尔后Frey被批为“大骗子”,选这本书进入她开办的“奥普拉念书俱乐部”的掌管人奥普拉·温弗瑞也称遭到诱骗,片子名目也成了烫手山芋,多少经曲折。但故事自身确切很惹人入胜,报告男配角在一架飞往芝加哥的飞机上醒来,随后开端直接痊愈医治。书中对挣扎在吸毒!酗酒!犯法中的人!掉望的人的展示跟分析让人震动。
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
