Kaler
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在一个阳光亮媚的日子里,俏丽的克拉拉（拉蒂西亚·多瑞拉 Leticia Dolera 饰）行将跟漂亮帅气的爱人科多（迪雅戈·马丁 Diego Martín 饰）步入婚礼殿堂。两边亲友相聚在一同,手舞足蹈,好不欢乐。但是合法婚礼晚宴直接到热潮之时,一其中年女子忽然从楼上跌落,当他爬起家时,其描述大变,面貌狞恶,随即狂躁地啃咬身边的人。现场有如炸锅正常,全部人的都四散而逃,而不知为何酿成丧尸的人们追咬着每一个生者,丧尸的步队越来越大,科多与克拉拉也在凌乱中掉散。教堂未然酿整天堂,有如最后的审讯日,人们身不禁己……
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兰德尔·克莱泽
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故事产生在1978年,12岁的男孩大卫（乔伊·克莱默 Joey Cramer 饰）在不测之中坠入山谷,得到了认识。醒来后,大卫回到了家,却发明面前的所有曾经物是人非,本来此时的时光曾经离开了1986年,这也就象征着,12岁的大卫须要面临的,是八年后的未下天下,在大卫苏醒时期,毕竟产生了什么！ 大卫好不轻易找到了掉散的家人,现在比他小四岁的弟弟杰夫（Matt Adler 饰）现在曾经长成了大男孩,而大卫却仍是12岁的样子模样。之后,一艘外太空飞翔物下降地球,而它的存在跟大卫碰到的难明之谜有着蛛丝马迹的关系。于是,太空总署找到了大卫,生机他可以帮助考察此事。
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For Goran and his team of amateur shooters, the plan was almost perfect: to enter a hypermarket at night to rob a jeweler. But these "broken arms" had not anticipated the arrival of a vigil like no other: Walter, a former African warlord who will send them to hell ...
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
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沃尔克·施隆多夫
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Die BRD in den 70er Jahren. über die heitere Anarchie kommt Rita Vogt zum Terrorismus, verführt durch ihren Gerechtigkeitssinn und durch die Liebe zu Andi. Als sie das Scheitern der Bewegung erkennt, taucht sie in der DDR unter. Mit Hilfe der Staatsicherheit, personifiziert in Erwin Hull, beginnt für sie dort unter anderem Namen eine neue Existenz. Rita führt sozusagen das normale Leben der Arbeiterklasse. Sie will ankommen, w?hrend ihre junge Kollegin Tatjana weg will, in den Westen. Zwischen beiden beginnt eine Freundschaft, der eine Fahndungsmeldung im Westfernsehen ein abruptes Ende setzt. Wieder muss Rita untertauchen. Mit einem neuen Namen in einer neuen Stadt scheint sie mehr Glück zu haben. Rita lernt im Urlaub den Studenten Jochen kennen. Er will sie mit nach Moskau nehmen. Doch dann wird Rita von ihrer Vergangenheit eingeholt, es ist das Jahr 1989 - die Mauer f?llt, die DDR h?rt auf zu bestehen...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
