Vilen
搜索"Vilen" ，找到 以下影视作品
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Cenk is a young boy who has just finished his job. Cenk, who is trying to help his mother who is shouldering the burden of the house alone, plays the game with money on behalf of others in the internet cafe which is working half-time. But one day, when discovered by the manager of a newly formed team, he finds himself in a different world. Within the professional game world, Batu, Naz, JJ, Aslan and their coaches, along with Özer, struggle to win the Cenk tournament, which is a challenging journey.
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Andrew
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Kelen Coleman（消息编纂室）!Andy Ridings（坚如盘石的Kimmy Schmidt）跟Matt Dellapina（这些掉望的蛮横人）参加了狮子门的「邋遢的三十岁」的演员声威,另有YouTube明星Drew Monson跟Ant Man的Anna Akana。「脏兮兮三十」是在安德鲁·布什（Roller Town）的指点下在洛杉矶拍摄的,由Mamrie Hart编剧,报告了一个史诗般的30岁诞辰派对,有点过于史诗化。科尔曼!瑞丁斯跟德拉皮娜为明星格蕾丝·赫尔比格!汉娜·哈特跟曼丽·哈特表演恋情兴致。蒙森将是一个共事,而阿卡娜是女孩们的逝世敌
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尤塞夫·切比
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BlackMedusaisthestoryofNada,ayoungwomanwholeadsadoublelifeintoday’sTunis:lonelyandboringduringtheday,violentandextremeduringthenight.ThishighlyritualizedlifeisgoingtoflatterthedayNoura,anewcolleagueofher's,fallsinlovewithNada.Atthesametime,Nadafallsinlovewithanoldknife.SostartsforNadaamoreviolentandextremelifeassheloosescontroltotheknife.ThefilmisaMedusamythinspiredfilmnoirinthe#MeTooera.
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LXD的创始人JohnChu（舞出我人生3D的导演）称自己的团体为"对舞蹈艺术的又一次进化，上演的网络剧是一种集音乐、舞蹈、故事线、运动、互动传媒于一身的艺术形式。没有特效、威亚，完全靠真人演绎。“LXD使我们更好地通过舞蹈来讲述故事，并为世界上最顶尖的舞者提供了一个充满想象力的平台”，这位创始人显然对已经为之秘密策划了一年的项目的野心勃勃，“通过与ParamountDigitalEntertainment和Agility的合作，我们希望这部剧集能重新定义舞蹈的未来。”
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Two estranged half-sisters who are reunited and tormented by a malevolent trickster following the death of their father.
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爱女艾丽丝被疯狗咬逝世,兽医帕特里克·戴利（Aidan Gillen 饰）跟老婆露易丝（Eva Birthistle 饰）跟老婆搬到地处偏僻的醒木镇栖身,盼望找到继承人生之路的勇气。他们的生涯看似平庸无奇,然而痛掉爱女的伤心与掉望从未远去,不时困扰着戴利匹俦的神经。夺目镇镇静宁静,但在这份表象之下好像又隐蔽着鲜为人知的机密。偶尔机遇,露易丝得悉这个机密,经由过程奥秘的典礼能够让逝世去未满一年的人长久复出3天,前提是要求者将永久与夺目镇接洽在一同。为了见到牵肠挂肚的女儿,戴利匹俦允许了这个前提。 典礼当时,艾丽丝重返世间,然而意想不到的情形接连产生。斯人已逝,强求不得……
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《阴道独白》是美国女作家伊娃·恩斯勒（EveEnsler）的剧作，近年来，上演这出话剧，已经成为国际性“妇女战胜暴力”运动的标志性活动。《阴道独白》１９９７年在美国获奥比奖（ObieAward），１９９８年成书出版。恩斯勒本人是剧作家、诗人和行动主义者，她曾在纽约百老汇之外的剧场和大学里表演此剧，还曾出演伦敦、耶路撒冷、萨格勒布（前南斯拉夫的一个城市）。她的作品《必要的靶子》在百老汇义演，收益用来资助波西尼亚的妇女难民。自1999年以来，在传统的情人节期间上演《阴道独白》已经发展成为国际性的“妇女战胜暴力”（VictoryoverViolence）运动，情人节也因此被赋予新的含义。作家欢迎任何人在V日发起活动中上演《阴道独白》，以“提高觉悟，反抗针对妇女的性暴力”。
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Afteralifeoflittlescams,aself-centeredmillennialissentencedtotakecareofhisgrandmother,whoisaffectedbyAlzheimer's.Asherealizestheextentofherwealth,theprotagonistgetsclosertothetreasurehe'sbeenlookingfor.
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马克·驰瓦汗
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MaxBrown将在《王室》第三季中扮演关键角色Robert王子。该剧从最开始就告诉我们：Robert王子死了……但是在第二季季终集，我们惊讶地发现Helena王后和Simon国王的长子竟然还活着。剧本进一步描述道：Robert王子是位仪表堂堂的、充满英雄气概的男人，他爱自己的国家，更爱自己的家庭……尽管这个家庭问题重重。他一直在躲避媒体的关注，同时也躲避自己的家人。当他突然死亡的消息公开之后（当初很有可能是Ted下令刺杀Robert），他的弟弟Liam王子被迫站到聚光灯下，顶替他成为王国的继承人。Helena、Liam和Eleanor正走向一条自我毁灭的道路，明白事理的Robert将帮助他们悬崖勒马。第三季的故事时间将跳跃到「谋害Simon国王的凶手TedPryce被愤怒的民众处决两周后」，Helena王后竭力证明Liam王子和Eleanor...
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
