Kiser
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马伊雷德·泰尔斯
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希沃恩·麦克斯维尼
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罗比·基
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约翰·麦克米兰
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索菲亚·奥克斯纳姆
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Reis Daniel
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Edward Wolstenholme
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Luke Rollason
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Safia Oakley-Green
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亚伯拉罕·波波拉
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皮埃尔·伯格曼
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Bilal Hasna
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Nathaly Herrera
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Kamahl Sami-Miller
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埃拉·布鲁科莱里
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帕特里夏·艾莉森
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“Extraordinary”issetinaworldwhereeveryonedevelopsapowerontheir18thbirthday…everyone,thatis,exceptforJen.She’sturning25andisstillwaitingtogethers.She’snotevenfussyaboutwhatthatcouldbe:superspeed?Lasereyes?TheabilitytopluginaUSBtherightwayeverysingletime?She’lltakeit.Likeacaterpillarsurroundedbybutterflies,Jenfeelsunabletomoveforward,stuckinadead-endjobinapartyshopandoccasionallyhookingupwithLuke,aflakyyoungmanwiththeirritatinglycoolabilitytofly.Luckily,JenhasCarrietostopherfromwallowinginherownself-pity.Inseparablesinceschool,theirrelationshipcyclesbetweensister,parent,andwingman.TogethertheyshareanEastLondonflatwithCarrie’slong-termboyfriend,Kash.Carriehasthepowertochannelthedeadbutfeelsshe’sbeenovershadowedbyherownpartytrick:doesn’tanyonecareaboutwhatshehastosay?Kashtakeshispower–theabilitytoturnbacktime–veryseriously,buthe’snotaboveusingittoundominorembarrassments,ormomentswhenhesaysexactlythewrongthingtolong-sufferingCarrie.Thefourthmemberoftheflatisastraycat,namedJizzlordbythegang,who’sharbouringasurprisingsecret:turnsoutevencatshavemorepowerthanJen.
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马修·格拉夫
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罗达·格里菲丝
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托德·艾伦
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阿曼达·沃伦
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科琳·福克斯
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布雷特·赖斯
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布拉德·卡特
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伊劳伊·辛格尔顿
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詹姆斯·杜蒙特
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库尔特·岳
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汤姆·诺维茨基
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Jay Reeves
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亨特·桑索内
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Alzie Williams
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维克托·麦凯
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乔·奈泽维奇
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Robert Crayton
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迈克尔·比斯利
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肯尼·阿方索
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卢克·坦尼
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雷内尔·吉布斯
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Rachael Thompson
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Miles Burris
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维克多·里维拉
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Katelyn Farrugia
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Austin Boyce
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William J. Harri
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Safety, an Original Film, premieres tomorrow on DisneyPlus. Inspired by the story of former Clemson University football safety Ray McELrathBey, the film follows a young man facing a series of challenging circumstances, whose dedication helps him triumph over adversities.
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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Acclaimed science communicator Emily Calandrelli takes kids through lively experiments and entertaining activities in this new live-action series .
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圣诞前夕,11岁女孩佐伊·韦弗(艾米丽·亚哈伯曼 Amelia·Haberman饰)刻薄的养父母在自家双双被害,身体自燃烧成了焦炭,怪异案情让警方束手无策。为查找线索,协助警方办案同样身为养母的儿童心理学家瑞秋·斯图尔特(莫妮卡·恩格塞尔 Monica Engesser饰)和正受困于婚姻危机的警探迈尔斯·奥康纳(詹姆斯·雷 James Ray饰)探访了暂时安身儿科医院的佐伊。在不断接触和调查中,瑞秋发现佐伊不仅古怪、阴郁以恐怖玩偶“圣诞恶魔krampus”作伴,还有不为人知的可怕过去。 随着自燃案件陆续发生,瑞秋意识到似乎一切都与女孩和她的玩偶有关,清算才刚刚开始······
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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Asensational,sentimental,andphilosophicalhorrorneo-noirthatfollowsthestill-at-largecrimesofNoel,arepentant,classyandcharmingserialkillerlooseinthesuburbsofNewYork.