Roz

WhenaprehistoricSpongeisunfrozen,hecauseschaosallovertown-andonlySpongeBobcancommunicatewithhim!WhenaflockofclamsdescendonBikiniBottom,SpongeBobhastogetthemoutbeforetheyruinthewholetown!

总督察RozHuntley刚侦破一同连环行刺案,胜利抓获一名连环凶手。但是法医官TimIfield却找到反腐小组AC-12,提出Roz在侦破进程中锐意疏忽了对怀疑人有利的证据,这起案件可能是一同冤案。于是AC-12的成员们开展了考察……

尼诺（赫苏斯·卡斯特罗 Jesús Castro 饰）和康比（Jesús Carroza 饰）是生活在直布罗陀岩山附近的两个年轻的男孩，整天无所事事的尼诺靠着维修摩托艇来赚取外快。一次偶然中，尼诺结识了名叫哈里尔（Saed Chatiby 饰）的男孩，哈里尔告诉他们自己的叔叔哈西德从事着毒品交易的勾当。　　在康比的不断劝说下，尼诺决定加入贩毒的勾当。他们利用摩托艇来运送毒品，将它们从非洲卖到西班牙。赫苏斯（路伊斯·托沙 Luis Tosar 饰）和他的搭档伊娃（芭芭拉·蓝妮 Bárbara Lennie 饰）一直在追踪着大毒枭英格里斯的踪迹，很快他们便发现，他们的追踪诡计和尼诺有了巧合般的重合。

十二岁的法国男孩皮埃罗（Patrick de Bardine 饰）跟妹妹尼克尔（Sylviane Rozenberg 饰）在偶尔之中掉掉落了一支从中国远渡重洋流浪而来的鹞子,两人跟他们的小搭档们将这支鹞子视为至宝。在一家骨董店里,皮埃罗得悉鹞子上的抽象名叫孙悟空。而且发明白鹞子上拴着的信是来自一个名叫宋小清的中国男孩。　　皮埃罗非常想跟宋小清成为友人,然而倍博特（Gérard Szymanski 饰）却抢走了写有宋小清地点的函件。焦虑万分的皮埃罗于是向孙悟空祈愿,哪晓得孙悟空居然从鹞子上活生生的走了上去,不只如斯,它还满意了皮埃罗的欲望,将皮埃罗跟尼克尔送到了中国。兄妹两人在这个奥秘的西方古国里开展了一段奇幻冒险。

在阿伦黛尔城堡大门翻开后的第一个圣诞节前,安娜跟艾莎为全部人预备了一个惊喜派对。但王国里的人们都不来加入,而是要依据本人家的传统与家人一同过节。安娜跟艾莎多年不在一同过圣诞节,因而不家庭传统。为此,雪宝踏上了一场为姊妹俩寻觅最棒传统的冒险……「雪宝的冰雪大冒险」是迪士尼动画片子「冰雪奇缘」（Frozen）的第二部衍生短片,在2017年上映的皮克斯片子「寻梦周纪行」（Coco）前贴片放映。

Zafikisunjustlyimprisonedandnotpleasedaboutit.Whenheisreleased,hegetsthehelpoftheunhingedFeroztogetrevenge.

奥黛丽（玛丽娜·汉斯MarinaHands饰）是一个年近三十的女人，站在命运的转折点上，一次意外的怀孕让她开始思考起人生的真正意义。奥黛丽和母亲马汀（凯瑟琳·德纳芙CatherineDeneuve饰）的关系并不和睦，甚至可以用“冷淡”来形容，这样的家庭环境造就了奥黛丽自卑的个性，她不知道自己是否能够承担作为一个“母亲”的重负，更不知道将腹中的孩子带到这个残酷的世界是不是一个正确的选择。一次偶然中，在外公的老房子里，奥黛丽发现了祖母路易斯（玛丽-乔西·克罗兹Marie-JoséeCroze饰）的日记本，这个女人曾经抛弃了家庭不知所踪。和母亲马汀一起，奥黛丽开始通过日记拼凑一段遗失了历史，在此过程中，一个隐藏在家族中的秘密逐渐浮出了水面。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

玛丽（InaWeisse饰）是一位奇迹有成的修筑师,在业内颇具声望。跟老公完婚多年,两人始终过着惊天动地的生涯,独特养育着两个可憎懂事的孩子,这个四口之家是友人们眼中尺度的榜样家庭。但是,只有玛丽本人晓得,在她的心坎里,有一个伟大的黑洞,全部的幸福跟温情都被吸入去,只留下冰凉空泛的反响。某日,玛丽碰见了名为爱雅（艾丽卡·莫露珊ErikaMarozsán饰）的男子,让玛丽不想到的是,本人居然被俏丽的爱雅吸引了。更蹩脚的是,爱雅有一个相爱多年的未婚夫杜姆（马可·豪斯曼MarcHosemann饰）,而杜姆恰好恰是玛丽的挚友。这一段庞杂的三角关联会怎么开展下去呢！

In the frozen woods of an isolated Maine logging town, one woman's tragic mistake shatters the balance of the community, resulting in profound and unexpected consequences. Weaving together several connected story lines, BLUEBIRD explores the profound and transcendent effects of a tragedy on an isolated American town.