Mareva

StellaBallister(PatriciaOwens)receivesthehorrifyingnewsthatherhusbandmetwithanuntimelydemisewhilemountainclimbing.Newlymarried,Stellaasksfortheretrievalofherhusband’sbody-butthetaskprovesimpossiblewhenthecorpseaccidentallyfallsintoadeepcrevasse,wherenohumaneyesorhandscanreachhim.Mark(JamesDonald),havingfeelingsforStella,staysbyherside,aclosefriendandnothingmore.Fortyyearslater,stilltryingtogetoverthenewsoftheaccident,Stellalearnsthattheglacierhasmoved.Hiringacrewtohelpprospectherhusbandoutoftheice,theyfindthebodypreservedanduntouched.Stellaviewsthebodyofherhusbandonelasttime.

Jennifer,aHarvardPhDstudent,wassigningacheckatarestaurantwhenshefoundshecouldnotwriteherownname.Monthsbeforeherwedding,shebecameprogressivelymoreill,losingtheabilityeventositinawheelchair.Whendoctorsinsistedthatherconditionwaspsychosomatic,shepickeduphercameratodocumentherownstoryandthestoriesoffourotherpatientsstrugglingwiththeworld’smostprevalentorphandisease.

麦克（拉塞尔·托维RussellTovey饰）和女友薇迪亚（艾波·罗丝·雷瓦AmberRoseRevah饰）喜滋滋地搬进新房，准备在这里迎接两人爱情的结晶，没想到，阁楼里的一具无名尸体令两人陷入了复杂而纠葛的案情之中。没有人知道这具尸体的身份为何，亦没有人知道她究竟为何会在此，探长莱恩（大卫·斯瑞弗DavidThrelfall饰）退休在即，宝刀未老的他接下了这个扑朔迷离的案子。没有线索，没有动机，没有现场，莱恩该如何拨开这重重迷雾，找到真相？随着调查的深入，莱恩意外发现了隐藏在这幢公寓里的惊天秘密，真相之下，没有无辜者，千丝万缕的事件之中，每个人都在自己的深渊里不断挣扎。

布奇金（奥列加·巴希拉什维利OlegBasilashvili饰）年过半百，是一名德高望重的翻译学家，在研究院上班的他事业成功，婚姻美满，是人人羡慕的对象。可这完美的一切被一个名叫阿拉（玛丽娜·涅约洛娃MarinaNeyolova饰）的女人毁于一旦，阿拉爱上了布奇金，她的痴心不改和步步紧逼让布奇金压力很大。仅仅是为了保护阿拉不受伤害，布奇金开始了和阿拉的亲密关系，与此同时，他还要想方设法的对妻子妮娜（NatalyaGundareva饰）保守这个秘密。曾经清闲淡定的生活再也不复存在了，布奇金每日在妻子和情人间周旋，精疲力尽。与此同时，在工作上的疏漏也让布奇金吃了苦头，面对家庭和事业的双重压力，他感到自己正在崩溃。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

一所西班牙普通学校，接连九名教师意外身亡，这里一时间人心惶惶，学校关门在即。适值此时，四处碰壁的青年教师莫德斯托（劳尔·阿雷瓦罗RaúlArévalo饰）来此应聘，他拥有能看到鬼魂的能力，可是根本没人相信他说的话，他被医生诊断患有精神病和妄想症，学生们谩骂嘲笑，校长气愤烦恼，致使莫德斯托在每一所学校都待不长。来到新学校的第一天，奥德斯托就意外发现5名盘桓在学校内的学生的鬼魂。他们20年前因违反校规而关禁闭，结果死于意外的火灾。5个鬼魂多年来热和捣蛋，吓坏了老师和学生。在美丽女同事的请求下，奥德斯托决定正视眼前的一切，帮助这5个孩子超生……

片子由一名生涯在布鲁克林区与艾滋病作抗争的女性Ana Willis的实在故事改编。Ana的生涯中布满了毒品与艾滋病,她在艾滋病社区中承当起了,救济跟宣扬艾滋病常识的任务。Ana的老公Slick(Wendell Pierce扮演), 就曾与艾滋病人独特吸毒。在Ana的外祖母Lucille(Anna Deavere Smith扮演）因忍耐不了这种熬煎,远走弗吉尼亚洲。有一天一名艾滋病沾染者Amare (Evan Ross扮演)忽然消逝了,Ana也踏上了寻觅他的路中。

谢恩（瑞恩·科万腾RyanKwanten饰）是一名年青无为的警员,他的老婆爱丽丝（凯莱尔·范德布恩ClairevanderBoom饰）有身了,数个月后,他们两人的恋情的结晶便会呱呱坠地。谢恩跟老婆离开了一个名为白色山丘的小镇上,预备在这里落地扎根,制作他们的安泰窝,但是,伉俪两人并不晓得的是,一场恶梦行将拉开尾声。一场不测的产生让全部小镇堕入了伤害跟凌乱之中,制作跟引导着动乱的,是一个名叫吉米（TommyLewis饰）的男子,已经,他是谢恩的部下败将,现在,他想方想法的再度回到了谢恩的身边,想要实施他的复仇大计。面临朋友的罢了,谢恩只有拿起兵器,掩护本人的家人。

WithElaineawaywithherboyfriend,Martinfindshimselfwithanewreceptionistintheformofhercousin,Paulinewhoarrivesunannounced.HeassistshisauntJoanbyexaminingherfriend,MurielSteele.Herson,DannySteelethinkssheisdisplayingearlysignsofdementiaandwantstoputherinahome.Martin’sinitialexaminationrevealshertobeperfectlynormalbuthemustre-evaluatehisdiagnosiswhenshebehavesoddly.MartinisalsoconcernedwhenlearnsthatDannySteeleandLouisawereoncequitecloseandthattheyareapparentlyseeingeachotheragain.Finally,hedealswiththecaseofEddieRixwhohasalonghistoryofinjuries.Hediagnosesanynumberofpossiblecausesbutthetruthprovestobesomethingcompletelyunexpected.

Tom, a married man with kids, is struggling at work when a client tries to seduce him with promises of a 'more exciting life'. On his way home one night he gets attacked by a gang of hoodies and falls into a parallel world where he lives 5 - other lives including a Rock-Star, a Homeless person and the 'hoody' that attacked him. These lives help him to re-evaluate his priorities and values but in order to get home he must face some of his deepest desires and fears. Will he make it home or is the grass greener on the other side?