Bourg

跟大部门女大先生一样,芭芭拉（露易丝·布尔昆 Louise Bourgoin 饰）有着年青俏丽的表面跟对将来无穷的希望,跟男友尼古拉斯（皮奥·马麦 Pio Marmaï 饰）的爱情更让她信任她正在阅历的是终生中最美妙的时间。一个孩子的到来将所有美妙破碎殆尽,她无奈设想在心智上仍是一个孩子的本人居然要做母亲了。　　在迟疑跟等待中,芭芭拉挑选了将孩子留下,没想到,孩子的出身则成为了芭芭拉的另一个恶梦。面临眼前这个毫无防御的小小性命,在为人母的艰难义务眼前,芭芭拉撤退了,她怎样也弄不明确的是,成为母亲,这明显是一件幸福的事件,为什么会有那么多的伤心跟恐怖深藏此中呢！

1918年，加拿大某村庄，小女孩奥若蕾（MarianneFortier饰）的母亲玛丽安（HélèneBourgeoisLeclerc饰）感染肺结核，病入膏肓。她的父亲（SergePostigo饰）非但没有对妻子表现出应有的关心，反而和表妹（StéphanieLapointe饰）勾搭成奸。不久，玛丽安在愤怒和忧郁中死去，父亲旋即与表妹成亲。三个姐妹兄弟中，奥若蕾对父亲和继母尤其抵触。父亲忙于工作，对家事鲜少过问。而奥若蕾和继母的矛盾则不断加深，继母从最初的体罚，逐渐演变成赤裸裸的虐待。娇弱的小女孩命悬一线……本片根据真实事件改编。

这是一部有名歌手跟演员JaneBirkin（珍．宝金）的片子画像。咱们发明各式百般的珍．宝金,在种种差别的时节,在种种差别的状态。还包含别的的珍：圣女贞德!泰山的珍!法国有名男歌手Gainsbourg,也就是珍．宝金的老公的珍……

Totallyunawares,Saverio,ateacherandMario,ajanitorofthesameschoolinwhichtheybothwork,travelbackintimeandfindthemselvesincentralItalyattheendofthe15thcentury.TheycarrywiththemanunresolvedsquabbleconcerningSaverio’ssister,creatingalotoftensionbetweenthetwo,whichwillincreaseintheplot.Fromthismomentontheywillhavetocometogripswiththegrotesquesituationtheyfindthemselvesin,tryingto"hitchalift"backtothefutureinamostoutlandishway,usingandmisusingtheirforesightoftheeventstakingplaceroundthattime,andgenerallymakingfoolsofthemselvesintheeyesof"normal"renaissancefolks.TheirmeetingwithLeonardodaVinciishysterical,whentheybecomemoreandmoreconvincedthatthegeniusisinrealityamoron.AnothercharactertheymeetisSavonarolatheheretic,whoenjoinsthemtorepent,beforeheistakentothestake,elicitingsomebreezycommentfromthem.Ifitweren’tforaweirdkindofhomesickness,theywouldquiteenjoylivinginthisperiod,fullofdaringfashionsandtantalisingdamsels.Thecoupleshowsgreatchemistryandisfunnyineveryrespect.Thepsychologyoftheircharactersiscomplexandcredible-foroncecomicalroleswithadepth.Basically,Saverioisanembitteredpetit-bourgeoisforeverattractedandrejectedbywomen,enviousofMario,aneasy-goingproletarianeverywomanfallsinlovewith.Saverioisscheming,meanandvindictiveasmuchasMarioisnaive,generousandforgiving.Whatamatchoftalents:RobertoBenigniandMassimoTroisiatthepeakofcombinedcreativity.Toobadtheywillnevercomebacktogetherforanotherjointventure.Ormaybeitisbetterthisway:masterpiecesofthislevelcannotbeimprovedon,atbesttheycanbeimitated.ForthisreasonNoncirestachepiangerewillshinelikeageminthecrownofthebestItalianmoviesofalltimes.Sadlynotmanypeopleseemtohaveseenit,noteveninItaly,wheretheviewersdonotneedsubtitlestoenjoythehilariousjugglingofthetwoactorswiththelanguage,buttheirbodylanguagecanbeuniversallyappreciated.Ifyoumissityouwillhavetorepent!

本片依据英国作家据夏洛蒂·勃朗特同名原著改编。从小得到怙恃的简·爱（夏洛特·甘斯布 Charlotte Gainsbourg 饰）借居在舅妈家,自幼受尽表兄欺辱跟舅妈冷眼,稍大些后即被送入管束严厉的教会男子黉舍。在冷淡!刻板情况中长大的简·爱并不成为心思歪曲的女孩, 而是自破自强,还积聚了非凡的学问涵养,成年后她成为桑菲尔德贵族庄园的家庭先生。男主人罗切斯特先生（威廉·赫特 William Hurt 饰）特性暴燥,行事奥秘。开端简并不爱好这男主人,可跟着二人渐渐熟习,罗切斯特先生领会到简·爱的差别凡响,并垂垂爱上她,简·爱亦遭到罗切斯特先生的激烈吸引,然而大宅夜晚总会产生一些怪事,这个庄园中好像隐蔽着惊人的机密…©豆瓣

本片根据英国作家据夏洛蒂·勃朗特同名原著改编。从小失去父母的简·爱（夏洛特·甘斯布CharlotteGainsbourg饰）寄居在舅妈家，自幼受尽表兄欺辱和舅妈冷眼，稍大些后即被送入管教严格的教会女子学校。在冷漠、刻板环境中长大的简·爱并没有成为心理扭曲的女孩，而是自立自强，还积累了不凡的学识修养，成年后她成为桑菲尔德贵族庄园的家庭教师。男主人罗切斯特先生（威廉·赫特WilliamHurt饰）个性暴燥，行事神秘。开始简并不喜欢这男主人，可随着二人慢慢熟悉，罗切斯特先生体会到简·爱的与众不同，并渐渐爱上她，简·爱亦受到罗切斯特先生的强烈吸引，但是大宅夜晚总会发生一些怪事，这个庄园中似乎隐藏着惊人的秘密…

英国郊区,一家人搬到一幢玄色的公寓中。父亲（Hanns Zischler 饰）在修葺院子时猝逝世,母亲（Sinéad Cusack 饰）则自此抱病,盛极一时。为了不使四个孩子被福利机构领走,母亲保持不去病院,终极郁郁分开人间。宗子杰克（Andrew Robertson 饰）与长女朱莉（Charlotte Gainsbourg 夏洛特•甘斯布 饰）将母亲的遗体偷偷沉进水泥之中,带着弟妹汤姆（Ned Birkin 饰）跟苏（Alice Coulthard 饰）径自生涯。 四兄妹的生涯固然艰难,却自在自在。杰克更与朱莉开展出一段忌讳之恋…… 本片荣获第43届柏林片子节最佳导演奖!1993年英国第纳尔德片子节金希区柯克奖。

老公彼得（阿登·杨 Aden Young 饰）的逝世让道恩（夏洛特·甘斯布 Charlotte Gainsbourg 饰）伤心欲绝,就在此时,道恩的小女儿西蒙娜（摩根·戴维斯 Morgana Davies 饰）却告知她,彼得的魂魄栖身在院子里的一颗伟大的榕树之上,正冷静的保卫着全部家庭。靠着榕树的支持,道恩垂垂从永掉我爱的疼痛跟伤心中走了出来,优良青年乔治（马尔顿·索克斯 Marton Csokas 饰）的涌现更是让道恩从新感触到了被爱跟被关心的快活。没想到,道恩跟乔治之间的情感受到了女儿的激烈支持,西蒙娜无奈信任除了父亲外,母亲居然还能爱上其余男子。同时,院子里的榕树好像对道恩身上所产生的事件一目了然,它居然也开端用它本人的办法干涉起了道恩的生涯。©豆瓣

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

1913年,西西里的小岛上,有一个农夫家庭：母亲深信宗教,欧巴萨尔瓦多（文森特•阿玛托 Vincenzo Amato 饰）哑忍外向,弟弟镇静如水,孙子又聋又哑,他们的生涯极为清苦。某天,一个美国人离开了这里,开端流传对于新大陆的诸般传奇,这让一家人找到了追求美妙生涯的偏向,经由一番探讨,终极他们决议偷渡到美国。他们穿上了皮靴,穿梭叫卖的集市,登上了开赴美国的渡轮。在途中,他们结识了屡次赴美未果的年青男子露西亚（夏洛特•甘斯布 Charlotte Gainsbourg 饰）,萨尔瓦多对露西亚发生了好感,然而母亲竭力支持,以是两人只得目挑心招。然而某天,露西亚忽然找到了萨尔瓦多,提出了一个令他意想不到的提议……