Reminisce
搜索"Reminisce" ，找到 以下影视作品
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Whenagruesomelystagedbodyisfound,proppeduponamountainpassintheAlpsclosetotheGerman-Austrianborder,twodetectivesaresenttoinvestigate.ForGermandetectiveEllie,thisisthefirstrealchallengeofhercareer;herAustriancounterpartGedeonthoughseemstohavelostanyambitionsinhisjob.Verysoon,theydiscovermorecrimesceneswithsymbolicallyposedvictims,reminiscentofpaganrituals.Itallseemstobepartofabigger,sinisterplan.Elliefindsherselfunderincreasingpressuretounderstandthederangedkillersmotivessoshecanstophim.ThehuntleadsthemeverdeeperinthedarkvalleysandarchaicAlpinecustoms-andtheparanoidworldofthekiller.WrittenbyBetaFilm
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森井勇佑
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Amikoisn’tlikeotherchildren.Herendlessenergyandcuriouseccentricitiesmakeheranoutcastatschoolandgetherintroubleathome.Whenapainfulfamilylossdisruptsherseeminglyidyllicseasidelife,hersenseofisolationintensifies,yetitdoesn’tstopAmikofrominvitingpeopleintoherworld.MoriiYusuke’sdirectorialdebutisaconfidentandcompassionatestoryaboutachild’simagination.Thefilmbalancessorrowwithjoyandharshlessonswithnaivedelight–muchlikegrowingup.Crucially,Amikoneverforgetswhoisatthecentreofthestory.Thewryhumouranddetailedcompositionsofsmall-townJapan,aswellasthefilm’shopefultenor,arereminiscentofOgigamiNaokoorHirokazuKore-eda’sworks.ThegentleandlanguorousatmosphereisenrichedbyascorefromupcomingfolkstarIchikoAoba.KanaOsawadeliversanexquisite,force-of-natureperformanceasyoungAmiko.Effortlesslynatural,hercommandingpresenceandvitalitycarrygreatweightwhilstensuringthefilmneverfallsintodespair.Amiko’sunbeatenspiritinthefaceoftiredadultsanduncooperativeclassmatesletsusgothroughthepain,aswellasexperienceflashesofmischievouswhimsy,alongsideaspiritingmusicalsequencethatwillensureyou’llneverlistentoacongadrumthesameway.源自：https://iffr.com/en/iffr/2023/films/amiko
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Anunder-appreciated,overworkedassistantentrustedwithamilliondollarnecklaceracestofindoutwhichofhisfriendsbetrayedhim,ashebattlesadesperatecriminalduobentonstealingthenecklace.Reminiscentofaclassic,yetmodern'Hitchockian'thriller,withmultipleplottwistsandturns,audienceswillbegluedtothescreentryingtofigureoutwhoisGuilty.....
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David Wenham's feature film directorial debut is a touching love letter to Sydney. This World Premiere is an improvised experiment about the random meeting of two strangers.Conceived, workshopped and shot in just ten days, Ellipsis begins with an accidental meeting between Viv (Emily Barclay; Prime Mover, 2009) and Jasper (Benedict Samuel) on the streets of Sydney. The two literally bump into each other, leading to conversation, a coffee and a nightlong adventure. They travel through the city from Bondi to Kings Cross, from a sex shop to bars and parks revealing more to each other and growing closer. Reminiscent of Richard Linklater's Before Sunrise, Ellipsis is refreshing and a great deal of fun, taking full advantage of its improvisational, loose nature. It's an affecting and longing love letter to Sydney at its most seductive: at night.
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FaroukOmarisahistoricalArabseriesco-producedbyMBC1andQatarTVanddirectedbyHatemAli,whichisbasedononeofthebestcompanionsofProphetMuhammad(Peacebeuponhim)andthe2ndCaliphoftheIslamicstate,UmarIbnAl-Khattab(MayAllahbepleasedwithhim).A30-episodeseriesshowcasingthevariouseventsduringthelifeofUmarIbnAl-Khattab(MayAllahbepleasedwithhim)fromhispre-Islamicdaystillhisassassination.Theseriesdependssolelyonestablishedhistoricalfactshencedidn’tfacecriticismintermsofitscontentaspastmoviesonsimilarsubjectsdid.Theseriescommenceswiththe23yearofHijraatMakkah,wheretheMuslimpilgrimshavecometogetherfortheHajj.Inmidstofthem,wecanseeUmarIbnAlKhattab(MayAllahbepleasedwithhim)supplicatingtotheLordwhiledoingtheTawaafaroundtheKa’abah.OnthereturnjourneytoMedinahfromMakkah,theypassbyagroupofpeopletendingtotheircamelsinthedesert.Umar(MayAllahbepleasedwithhim)reminisceshispastdays,whenheusedtotendtohisfatherAl-Khattab’scamelsinthedesert,andhowhisfatherusedtoworkhimtoexhaustionandbeathimupifheslackened.However,nowafterhisembracingIslamhowlifehaschangedforhimwithnoonetostandbetweenhimandhisLord.TheseriesthentakesyouonahistoricalrideasmemoriescomegushingbacktoUmar(MayAllahbepleasedwithhim)aboutthevariouseventsthathappenedduringhislifetime.
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巴瑞·莱文森
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Tin Men is one of my favorite movies of all time. The thing that always strikes me whenever I watch this movie is that while the characters of Richard Dreyfuss and Danny DeVito are seemingly feuding non-stop throughout the movie, in reality they are actually kindred spirits. It's like they see themselves in the other but don't really like what they see. Barbara Hershey is great as the haggard housewife who looks for something more fulfilling in her life. All the supporting cast is excellent. I love the diner dialog which is reminiscent of Barry Levinson's previous film "Diner." The background scenes of Baltimore landscape add to the realistic atmosphere of the movie. Overall, I think this movie is vastly underrated. I'd love to see a sequel with Dreyfuss and DeVito as partners in a VW dealership.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
