Persi
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阿米尔·汗
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[satyamevjayate」意为“真理战胜一切",这句话写在印度国徽上,是印度的座右铭。宝莱坞电影巨星阿米尔汗历时两年,打造出这一关注社会、贴近民众、深层次揭露社会问题的节目。他采访不同阶层印度人的真实故事,大胆曝光印度社会种种弊病,力图以残酷真相打动和唤醒大众,进而努力改变现状、治愈丑陋伤疤。Episode1:FightingRape对抗强暴ThefirstepisodeofSatyamevJayateSeason2,telecastonMarch2,2014,dealtwiththeissueofrapeandunderlinedseveralsystemicfactorsthatactasroadblocksonthepathtojusticeforsurvivors.TheVoteforChangecampaignforthisepisodecentredaroundthreefocalpoints:ThesettingupofOne-StopCrisisCentresineverydistrictofIndiaaspertheguidelinesrecommendedbytheJusticeUshaMehraCommission.ThecreationofVulnerableWitnessDepositionCourtroomsacrossthecountry.Agender-sensitive,scientificandhumaneprotocolforthemedicalexaminationofsurvivorsofrape,tobeuniformlyimplementedacrossthecountry.Episode2:Police警察OnMarch9,2014,thesecondepisodewastelecastanditdealtwiththeneedforreformsinthepolice.In21stcenturyIndia,thesystemofpolicingisstillbyandlargewithintheframeworkofthe1861PoliceActintroducedduringthecolonialBritishRaj.Thepolicecontinuestobearuler’spoliceratherthanapeople’spolice.TheVoteforChangecampaignforthisepisodeurgedcitizenstosupportthedemandthatthe2006judgmentoftheSupremeCourtinthecasefiledbyformerDGP,UP,ShriPrakashSinghbeimplementedandapeople-friendlypoliceforcebecreated.Episode3:Don’tWasteYourGarbage不要看浪费你的垃圾ThethirdepisodeofSatyamevJayate,telecastonMarch16,2014,dealtwithoneofthemostshamefulproblemspersistinginourcitiesandtowns,viz:garbageandthescandalousstateofsolidwastemanagement.TheVoteforChangecampaignforthisepisodecalleduponpeopletosupportthedemandthatincineratortechnologyforburningwastebeopposedandthatstategovernmentsandunionterritoriesworktowardsimplementingtheMunicipalSolidWastes(ManagementandHandling)Rules,2000.Episode4:KingsEveryDay我自君王,每日TelecastonMarch23,2014,thefourthepisodedealtwiththeneedforstrengtheninggrassrootsdemocracyandinparticular,highlightedimportantmeasurestohelpfightcorruptionandincreasepublicparticipationingovernance.TheVoteforChangecampaignforthisepisodeurgedcitizenstolendtheirsupporttothedemandforsocialauditsofthegovernment’sexpenditureonsocialwelfare,andthepassingofthePublicServicesGrievancesBillwhichwillhelpensurethatessentialservicesaredeliveredinatime-boundmannertocitizens.Episode5:CriminalizationofPolitics政策犯罪SatyamevJayate’sfifthepisode,telecastonMarch302014,dealtwiththerampantcriminalizationofpoliticsinourcountry.TheVoteforChangecampaignforthisepisodecalleduponpeopletosupportthedemandthattheproposaloftheElectionCommissiontodebarcandidateswithseriouscriminalcharges(withappropriatesafeguards)isbroughtintoeffectandsuchcandidatesarenotallowedtocontestelections.JustcameoutofmymeetingwithHonorablePrimeMinisterofIndiaShreeNarendraModiji.Wasverykindofhimtosparehisvaluabletime.—AamirKhan(@aamir_khan)June23,2014SharedwithhimtheoverwhelmingsupportthatwegotfrompeopleacrossthecountrythroughVoteforChangeCampaign...—AamirKhan(@aamir_khan)June23,2014..onSMJonthevariousissuesthatwetackledinourshow.Hehasassuredmethathewilllookintoallthematterspic.twitter.com/AI7e8cX9Bn—AamirKhan(@aamir_khan)June23,2014http://www.satyamevjayate.in/petitions-reach-topm.aspx
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丹·卡斯泰兰尼塔
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朱莉·卡夫娜
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南茜·卡特莱特
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雅德丽·史密斯
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汉克·阿扎利亚
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哈里·谢尔
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潘蜜拉·海登
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露西·泰勒
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麦琪·罗丝威尔
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特蕾丝·麦克尼尔
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玛西娅·华莱士
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卡尔·维耶德戈特
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马特·格罗宁
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凯文·迈克尔·理查德森
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塞斯·罗根
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查克·林德尔
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乔纳·希尔
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内芙·坎贝尔
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金·凯特罗尔
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休尔·豪瑟
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埃利·曼宁
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佩顿·曼宁
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迪克·史莫勒斯
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汤姆·史莫勒斯
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乔丹·长井
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米奇·阿尔博姆
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安妮·海瑟薇
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杰基·梅森
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艾萨·凯特
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加里·拉森
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莫里斯·拉马奇
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克里斯·马汀
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鲍勃·科斯塔斯
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恩·T·布朗
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萨拉·西尔弗曼
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《辛普森一家》是美国福克斯广播公司的一部动画情景喜剧,由马特·格勒宁创作。该剧通过展现霍默、玛琦、巴特、莉萨和玛吉一家五口的生活,讽刺性地勾勒出了居住在美国心脏地带人们的生活方式。空间设定于虚构小镇春田镇的《辛普森一家》,从许多角度对美国的文化与社会、人的条件和电视本身进行了幽默的嘲讽。为了给制片人詹姆斯·L·布鲁克斯制作一出动画短剧,马特·格勒宁构思出了辛普森一家人的形象。格勒宁用自己家族成员的名字逐一地给他们命名,而自己的名字则用“巴特”替代。1987年4月19日,短剧成为了《特蕾西·厄尔曼秀》的一部分。在播映三季后,《辛普森一家》得以转正进入半小时的黄金时段,并成为了福克斯在早期达成的成功之一。自1989年12月17日的首次播出开始,《辛普森一家》已播出了20季,共441集。2007年5月20日播出的第18季末集,是这部动画的第400集;同时,2007年亦是该剧播出的20周年纪念。于2007年7月26日和7月27日在全球上映的《辛普森一家大电影》,至今已获得约5.253亿美元的票房收入。第20季已于2008年9月28日开始播出。从作为一部电视剧制播以来,《辛普森一家》赢取了大量的奖项;其中包括24次艾美奖、26次安妮奖和1次皮博迪奖。1999年12月31日期的《时代》杂志将其评为20世纪最优秀的电视剧作;2000年1月14日,《辛普森一家》的星星被刻在了好莱坞星光大道上。作为美国历史上最长寿的情景喜剧及动画节目,《辛普森一家》对流行文化产生了极大的影响:譬如霍默·辛普森懊恼时的咕哝声“D’oh!”便被英语词典所收录;同时此剧亦对许多面向成人的动画情景喜剧产生了影响。辛普森一家,是居住在美国“心脏地带”式小镇春田镇的一个典型家庭。[46]家中的父亲霍默担任着春田镇核电站的安全检查员——这个职位与他粗心、弄臣式的个性显得很不相称。他的妻子玛琦·辛普森,是一位典型的美国式主妇和母亲。他们有着三个孩子:十岁的大儿子巴特是一个麻烦制造者;八岁早熟的女儿莉萨是一位积极行动主义者;小女儿玛吉是一个几乎不会说话,只能用吸橡皮奶嘴进行交流的婴儿。这家人养有一条名叫圣诞老人小助手的狗,以及一只名叫雪球二世的猫。两只宠物都曾在几集动画中充当中心角色。尽管度过了许多次节日或生日这样的年度重要事件,辛普森一家人都没有因为真实岁月的流逝而逐渐老去,其面貌与他们在1980年代末露面时并无二样。《辛普森一家》有许多乖僻的次要角色:同事、老师、亲朋好友、地方名人。格勒宁起初只是打算让这些角色出现一次,让他们充当笑料制造者,或用来填补小镇需要的一些功能。不过,大部分的这些角色后来都被保留了下来,其形象也得到扩充,甚至不少角色在后来还成为了几集动画的中心人物。据马特·格勒宁所说,动画采用了喜剧节目《第二城市电视台》(SCTV)中使用大量配角制作节目的概念。(摘自Wikipedia)TheSimpsonsisananimatedsitcomaboutthemodernfamily.ItisFOX’smostsuccessfulTVshowtodate.Itstartedasaone-minutefillerontheTraceyUllmanShowbutsoonevolvedintoAmerica’sfavoritecomedy.TheSimpsonsfocusesonafamilyoffive.Thereisthefather,Homer,adull-witted,alcoholic,lazy,butlovableman.Heoftengetshisfamilyintocrazysituationsbutalwaysmanagestofixthings.Themother,Marge,isastayathomemomwhokeepsthefamilytogether.Sheistheidealwifeandmotherthoughshecanbealittlenaiveattimes.Shealwaysdoeswhatshethinksisbestforherfamily.NextisBart,the10yearoldboywholivesonplayingpranks.Hegetsintoalotoftroublebutisgenerallyagoodkid.Nextistheneglectedmiddlechild,Lisa.Lisaisthebrainofthefamilyandsometimesfeelsleftoutbecauseofthat.Sheisanoutcastatschoolbecauseofhertalent.FinallythereisMaggiethebaby.Thoughshedoesn’tsaymuchsheiswellknownespeciallyforherredpacifier.Nowthelongest-runningcomedyintelevisionhistory,THESIMPSONSimmediatelystruckachordwithviewersacrossthecountryasitpokedfunofitselfandeverythinginitswake.Withitssubversivehumoranddelightfulwit,theserieshasmadeanindelibleimprintonAmericanpopculture,andthefamilymembershavebecometelevisionicons.January14,2009kickedoff"Best.20Years.Ever.,"ayear-longglobal20thanniversarycelebrationofallthingsSIMPSONS.TheyearwillconcludeonJanuary14,2010andwillfeatureTHESIMPSONS20THANNIVERSARYSPECIAL–IN3-D!ONICE!,producedanddirectedbyAcademyAward-nominatedfilmmakerMorganSpurlock("SuperSizeMe,""30Days").Inthespecial,SpurlockwillexaminetheculturalphenomenonofTHESIMPSONSinhisdistinctiveandinnovativestyle.Thecriticallypraisedserieshasbeenbestowedwithnumeroushonors,includingrecentlyreceivingfiveEmmynominationsforthe2008-2009season.Overthecourseoftheirtwo-decaderun,THESIMPSONShavewon24EmmyAwards:12forOutstandingVoice-OverPerformance,10forOutstandingAnimatedProgramandtwoforOutstandingOriginalMainTitleThemeMusic.THESIMPSONSisaGracieFilmsproductioninassociationwith20thCenturyFoxTelevision.JamesL.Brooks,MattGroeningandAlJeanaretheexecutiveproducers.FilmRoman,aStarzMediacompany,istheanimationhouse.MikeB.Andersonservesasthesupervisinganimationdirector.
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JoséLuis(QuimGutiérrez)justhasbeenstoodupinthealtarand,ifthat’snotenough,MariCarmen(CarmenMachi),hispersistentmother,hasblindedherselfongowithhimonhishoneymoon,withtheexcuseofnotwastingthemoney.EveryminutethattheyspendtogetherinMauritius,JoséLuisisfeelingmoreunhappyandwashed-up.Meanwhile,MariCarmenishavingthetimeofherlife,livingalltheexperiencesthatshehasalwayswantedandrevealingherselfasthewonderfulwomanshereallyisandthatnobodyinherfamilycansee.
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安东尼·阿斯奎斯
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London-basedMillionairessEpifania(SophiaLoren)isattractedtoDr.Kabir(MDfromDelhiandPhDfromCalcutta),whoismoreintentontreatingpatients.Whenshepersists,heconfidesinherthathehadmadeacommitmenttohislatewidowedseamstressmotherthathewillwedanywomanwhowillmanagetosurviveonjustRs.500/-,for90days.Shefindsoutthatthissumisequivalenttojust35shillingsbutreadilyacceptsthischallenge.Shealsoinformshimthatherlatefatherhadalsoimposedaconditionthatshemustwedamalewhowillturn£500into£15000withinthesameperiod.EpifaniathenfindsemploymentwithanItalianfirm,endsupre-organizing,andturningupthefirmsprofits.Attheendof90days,shegoestomeetKabiranddiscoversthathehasnotonlygivenallthemoneyawaybutalsohasnointerestwhatsoeverinmarryingher.
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维托里奥·德西卡
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本片是由7组关于“通奸"的短篇故事所构成:"FuneralPossession"(葬礼拥有)讲述一名刚刚丧夫的寡妇在丈夫的葬礼上还不时钓金龟的故事;"AmateurNight"(业余艺术家之夜)讲述愤怒的妻子变成拉客妓女发泄的故事;"TwoAgainstOne"(二对一)讲述表面上正经的姑娘实际上却有另外的一面;"SuperSimone"(超级西蒙)妻子西蒙用进各种方法使他的书呆子作家丈夫能从书堆中爬出来,可他始终无动于衷;"AttheOpera"(一场歌剧)一场歌剧;"Suicides"(自毁)讲述一件死亡合同;"Snow"(斯诺)一个疑心病的丈夫雇侦探去查他的妻子。
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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恩斯特·刘别谦
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劉別謙初嚐美高梅大製作的派頭,所有筆法更神情飛揚。開敞的場景!绝后的排場讓人物裏裏外外任意張開:寡婦的心更顯孤獨,男女的愛愈加沒處安置。坐擁小國大部门財富的寡婦溘然要搬到巴黎从新尋找生涯颜色,國王唯恐國祚不保來一招美女計,派出風流種子色誘寡婦。本來一個用情一個求性,幾番相逢與折騰,改寫了男男女女的根本须要。歌與舞沒有賣弄甜膩,反而放在愛情的繁重中換來了歌頌。歌與影無間交换,劉別謙輕歌劇巔峰之作,亦成了荷里活極有代表性的一章。司花利亞與珍娜.麥當奴最後一次协作,後者散發從未有過的成熟韻味。堪稱最性感的音樂劇。Rated"thesexiestmusicalinthethirties",TheMerryWidowcouldwellbethesexiestmusicalever.JeannetteMacDonald,sensualandmajesticasaPersiancat,isthewealthiestwidowinthekingdomofMarschovia.OnavisittoParis,sheattractsaflurryofgold-diggers.Topreventherfortunefrompassingtoforeignhands,thekingsendsaromanticenvoytocourther.HechoosesCaptainDonilo,whosecavalierattitudetowomenisnotlimitedtohisrapportwithMaxim’s"girls,girls,girls".Osébutnotblasé,thiselegantadaptationofFranzLehar’soperettaout-classedvonStroheim’ssilentinopulence,culminatinginthegrandestofgrandballs.Source:28thHKIFF
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Tim Niel
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"The Silk Road cut across borders - and broke down the borders in our minds," says Dr Sam Willis. In a new three-part series for BBC Four, the historian and writer traces the story of the most famous trade route in history. This was the Silk Road which ran from China’s ancient capital Xian through the mythical cities of Central Asia and Persia, until it reached the bazaars of Istanbul and the markets of Venice. It was in Venice and other Italian cities that the ideas, inventions and products that trickled down the Silk Road ignited. They formed - in part - a movement which we call ‘the Renaissance’ - an explosion of new thinking, new art and new inventions. Covering a distance of 5 - 000 - miles and crossing some of the most dramatic landscapes on the planet, Dr Sam Willis reveals how the Silk Road was more than a market place: it was the world's first transcontinental superhighway, along which people with new ideas, new cultures and new religions made exchanges that shaped the development of humanity.
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艾瑞克·英格兰德
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Awealthyyoungmanisconnedintostagingafakekidnappinginordertobeaheroandwintheaffectionofagirlhe'smadlyinlovewith.Butwhenoneofthehiredkidnappersisaccidentallykilledduringthecharade,he'sforcedtoactuallysaveherlifewhilenotrevealingthatit'sbeenaruseallalong.
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安德斯·安博勒姆
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Set in ?lesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy.
Asta is a journalist in ?lesund who seems plunged in a melancholic state, for a reason w...