Nott

MeetanannoyingFrenchpranksterfromtheMiddleAges,witnessbizarreAztecfoodonHistoricalMasterchef,seewhathappenswhenQueenElizabethIneedsthetoilet,andlearnhownottoimpressawomaninVictoriantimes.

波兰华沙有一个剧团，其中有一名演员Bronski（TomDugan饰）极其擅长模仿德国纳粹领袖希特勒。MariaTura（卡洛·朗白CaroleLombard饰）和JosephTura（杰克·本尼JackBenny饰）是剧团里的一对夫妻，剧团最近正在上演《哈姆雷特》。演出间隙，Maria收到了一束鲜花，来自一个年轻的飞行员StanislavSobinski（罗伯特·斯塔克RobertStack饰），趁着Joseph在舞台上念著名台词“tobeornottobe”的时候，她安排Sobinski进了后台，两人情愫暗生。然而不久后，纳粹侵略波兰，Sobinski只能前往作战。Sobinski所在队伍的领导是Siletsky教授，Sobinski想让Siletsky帮忙带封信给Maria，然而Siletsky却连著名女演员Maria都不认识，于是Sobinski开始对Siletsky产生了怀疑。Sobinski为了追踪Siletsky又回到华沙。而另一方面，Maria却被两个纳粹士兵带去见Siletsky，Siletsky对Maria也是心生爱慕，更希望Maria成为纳粹在波兰的间谍。Maria借故逃回家，却在家中意外的碰到了Sobinski和她的丈夫Josef，这段三角关系该如何收场，他们又要如何联手对抗纳粹？

FortheGoodmanfamily,FridayNightDinnerisjustlikeSundaylunch:justtaketwodaysaway,addanextracourseandyou’veprettymuchgotit.AdamandhisbrotherJonnyviewFridaynightdinnerasanecessaryannoyance-necessarybecausetheygetfed,andmeijubar.netannoyingbecause,well,theyhavetospendtheeveningwithMumandDad.It’snotthatMumandDadaren’twonderful.ButDadslugsketchupstraightfromthebottle,MumisobsessedwithMasterchef,andGrandmalikestowearhernewbikiniaroundthehouse.

DuetosomecommoninterestsbetweenGermanandRussianaristocracy(theRussiansevenhadaristocratsintheirpastnottomentiontheyhadanEmpresscalledCatherinetheGreat,asgreatasthisGermancountsheiresses…),itisnotstrangethatthisTeutoniccounthasunderstoodandevenenjoyedHerrS.M.Eisensteins"StaroyeINovoye".Itisnotveryusualthatforthe...

Sydneyfindsherselfface-to-facewithherlong-lostmother,IrinaDerevko,whoseintentionsforherdaughteraremadechillinglyclear.However,SydneymanagestoescapeandrejoinJackandWillintheirescapefromTaiwan.AfterarrivingbackinLosAngeles,SydneycontinueshersearchforVaughn,notknowingifheisdeadoraliveafterbeingsweptawaybyawallofwaterinTaipei.Will’slifeisforeverchangedwhenhelearnsthetruthaboutSD-6andSydney’slifeasadoubleagent.Also,DixonmustdecidewhetherornottoinformSloaneofSydney’ssuspiciousactivities.ButJackintervenesandcoversforSydneywholaterfindsVaughnwhohelpshertrytotrackdownhermotherIrinawho’ssearingforaRimbaldiartifactcalled’theBible.’

Itsaboutnavigatingthetrialsandtraumasofmiddle-classmotherhood,lookingatthecompetitivesideandunromantictakeonparenting-notthecuteandacceptablepublicfaceofmotherhood.

Amovieaboutagood-for-nothingstuntmancalledMikeGaucherwhocan’tdoonesinglejobwithoutsomethinggoingwrong.Hisfiancéewantstokillhim,thefilmstudiosdon’twanttogivehimanymoreworkand,asKingKongforapromotioninasupermarket,hewindsupdestroyingsomedisplayshelves.Theonlyroleheplayswellispretendingnottobeabletohear,speakandwalkinordertogetmoneyfromthegovernment.Thenalongcomesthe"beautiful"actorcalledBrunoFerrari.Supposedlyafearlessstuntman,Ferrariturnsouttobeafraidofheightsoncehisfeetleavetheground.Soastuntmanisneededtopreventascandal.Andwhoisthemanwholooksmost(orexactly)likeBruno?Youguessedit,good-for-nothingMike...

PeterconvincesFrannottostayawayfromherschoolreunionjusttoavoidherobnoxiousbraggartrivalJill,whomarriedsurgeonFrank.herplanistotakealongevenmoredesirableElliot,whoagreesatthegymtoplaythepart.Petertriesouta’gaydar’app.Franignoresthegang’swarningsnottohopeforElliotactuallyfallinginlovewithher,sotheystageanintervention.Jillendsupconfessingherowndepressingproblem.

SirDavidAttenboroughistopresentandnarrateanewlandmarkfilm,ClimateChange:TheFactsforBBCOne.Thedocumentarywillprovideanurgentlookatthescienceofclimatechangeandthepotentialsolutionstothisglobalthreat,combiningfootagethatrevealsthealreadydevastatingimpactofclimatechangeonourplanetwithinterviewsfromsomeoftheworld’sleadingclimatescientists.Afteroneofthehottestyearsonrecord,climatologistsandmeteorologistsexplaintheeffectsofclimatechangeonboththehumanpopulationandthenaturalworld.Scientists,includingDrJamesHansen,DrMichaelMannandProfessorCatherineMitchellwillforensicallyunpackthesciencebehindtheextremeweatherconditionsofrecentyears,whichhaveseenunprecedentedstormsandcatastrophicwildfires;aswellasdetailinghowtheacceleratingrateatwhichtheworld’siceismeltingiscausingsealevelrises,andhowdeforestationisexacerbatingtheproblemofglobalwarmingbyaddingtoCO2intheatmosphere.Thefilmwilldeliveranunflinchingexplorationofwhatdangerouslevelsofclimatechangecouldmeanforhumanpopulations,whatislikelytohappenifglobalwarmingexceeds1.5degreesandifmajorreductionsinCO2emissionsarenotmadeinthenextdecade.Thedocumentarylookstooatpotentialsolutions,exploringtheinnovations,technologyandactionstheworld’sgovernmentsandindustriesaretakingtopreventfurtherwarmingandshowcasingindividualswhoarecreatingchangeatgrassrootslevels.Inthefilm,SirDavidAttenboroughsays:"Inthe20yearssinceIfirststartedtalkingabouttheimpactofclimatechangeonourworld,conditionshavechangedfarfasterthanIeverimagined.Itmaysoundfrighteningbutthescientificevidenceisthatifwehavenottakendramaticactionwithinthenextdecadewecouldfaceirreversibledamagetothenaturalworldandthecollap搜索引擎优化foursocieties.We’rerunningoutoftimebutthere’sstillhope…Ibelievethatifwebetterunderstandthethreatweface,themorelikelyitisthatwecanavoidsuchacatastrophicfuture.”

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.