Mireille
搜索"Mireille" ，找到 以下影视作品
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马克·福斯特
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费城一个毫无征兆的宁静早晨，前联合国调查员盖瑞·雷恩（布拉德·皮特 Brad Pitt 饰）驾车载着妻子凯伦（米瑞·伊诺丝 Mireille Enos 饰）和两个女儿蕾切尔（Abigail Hargrove 饰）、康妮（Sterling Jerins 饰）外出。谁知原本快乐的气氛很快变为恐慌与死亡所替代，连环的爆炸，惊恐逃散的人群，无序的车祸以及啃咬他人的丧尸，繁华大都会转瞬沦陷。盖瑞费尽九牛二虎之力带着妻女逃生，最终逃到联合国副秘书长所在的航母上，进而得知包括美国总统在内的数名大国首脑均已死亡，丧尸病毒业已蔓延全球。为了阻止世界毁灭，格里无奈受命，和来自哈佛的病毒学博士法斯巴克（Elyes Gabel 饰）前往病毒的源头之地寻找解除危机的办法。 这是一场几乎完全没有希望且充满磨难的征程，世界命运危在旦夕……
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《谋杀》翻拍自大获成功的2007年丹麦电视剧《谋杀》(Forbrydelsen)。探长SarahLinden（米瑞·伊诺丝MireilleEnos饰）即将辞去工作带着儿子搬去加利福尼亚和未婚夫结婚。临行前接到报案，只得带着前缉毒警探StephenHolder（乔尔·金纳曼JoelKinnaman饰）一同前往。疑似失踪少女为RosieLarsen（凯蒂·芬德莱KatieFindlay饰），母亲Mitch（米歇尔·佛贝丝MichelleForbes饰）和父亲Stan（布伦特·萨克斯顿BrentSexton饰）对此一无所知。经勘察，发现一辆沉湖汽车，后备箱中躺着Rosie的尸体。而车牌信息告诉Sarah，这一切和忙于竞选市长的西雅图市议会主席DarrenRichmond（比利·坎尔贝BillCampbell饰）...
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落寞的青年亚历克斯（德尼·拉旺 Denis Lavant 饰）径自彷徨巴黎陌头,他的女友移情别恋,未多少又要去服兵役,宠爱的片子奇迹远景隐约。偶尔机遇,亚历克斯进入一个私家集会,并结识了俏丽的女孩蜜蕊拉（蜜蕊拉·皮雷 Mireille Perrier 饰）。蜜蕊拉此前与男友伯纳情深意笃,为了恋情她情愿贡献所有,这却让对方无奈蒙受如斯炽烈的情感,只能挑选回避。雷同的际遇让他们走到一同,互诉各自的情绪阅历,两人的心由此愈加切近。亚历克斯跟蜜蕊拉互相依偎,氛围中洋溢着伤心掉望的气息…… 本片为莱奥·卡拉克斯（Leos Carax）导演童贞作,并荣获1984年戛纳片子节青年奖。
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爱丽丝（米瑞·伊诺丝MireilleEnos饰）本以为能够和未婚夫本杰明（彼得·克劳斯PeterKrause饰）携手步入婚姻的殿堂，哪知道就在这个节骨眼上，本杰明居然卷走了数百万美元巨款一走了之音信全无。安德森（罗丝·洛林斯RoseRollins饰）不仅是爱丽丝最信赖的朋友，亦是最得力的合作伙伴，在两人共同创立的侦探事务所中，聚集了行业内最顶尖的侦探们，个性大大咧咧不按常规出牌的丹尼（JayHayden饰）、高智商黑客索菲（艾维·约斯特ElvyYost饰），在几人无间的合作之下，事务所屡屡破获奇案。与此同时，爱丽丝一刻都没有放弃过对于本杰明的追踪，同样追在本杰明屁股后面的，还有精明的FBI探员朱尔斯（雅基·伊多JackyIdo饰）。
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《夜班经理TheNightManager》的编剧DavidFarr与制片公司NBCUniversalInternationalStudios制作2011年同名电影所改编的剧集《汉娜Hanna》，该剧已获Amazon预订8集首季，于匈牙利﹑斯洛伐克﹑西班牙﹑英国等地拍摄。DavidFarr当时与SaoirseRonan为电影版的编剧，剧集版《汉娜》主角是由士兵/雇佣军父亲养大﹑身手不凡的少女Hanna，她在逃避CIA对她的追捕同时，还得发掘自己的背后真相。EsmeCreed-Miles饰演标题人物Hanna﹑MireilleEnos饰演MarissaWiegler，一个追求高效﹑无情的高阶CIA官，在她冷静外表下隐藏着秘密，而Hanna与她父亲的再次出现可能把此秘密披露出来，于是她派出特工去追杀此对父女﹑JoelKinnaman饰演Erik，坚定﹑具直觉﹑不随便妥协的士兵及雇佣兵，在过去15年于波兰北部的偏远森林养育女儿Hanna，他为了让女儿安全而教晓她各种生存技能，不过逐渐长大的Hanna开始渴望自由，离开这处处受限的避难所。
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内详
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SamuelworksinBrusselsasapharmaceuticaldeliveryman.HisgorgeousgirlfriendMireilleheadsofftoNewYorktointernataprestigiousarchitecturefirm.Shortlyafterherdeparture,Sam’scomputerishacked.AseriesofratherdodgyIT-guysfailtoprotecthiswirelessnetwork.ThemysterioushackerseemsintentonscrewingupSamuel’slifeandhisrelationshipwithMireille.Paranoiakicksin.SamstartstosuspecthisneighborsandgetsobsessedwithWiFi-rays...Love,paranoiaandtwoloversseparatedbyanoceanofcommunicationdevices.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
