Markey
搜索"Markey" ,找到 以下影视作品
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NadimGü?
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Nalanisabeautifulyoungwomanwhoearnseveryone'sloveatfirstsightwithherwarmth.Astheonlychildofthefamilyenlargedhandbaby,babyroses,livedintheexistenceoflifeandNalangraduatedwithhonorsthebestschools,Turkeyfinds'slargesthotelchain,whichKoroglucompanyasanarchitectatrunningthanhimselfSedatKoroglu'withmarriageEve.AlthoughNal...
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比尔·康顿
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1947年的英格兰,当年鼎鼎大名的大侦探福尔摩斯(伊恩·麦克莱恩 Ian McKellen 饰)隐居于苏塞克斯郡的田园,他已93岁高寿。每当他在电影院看到关于自己的电影都会忍不住摇头。那些关于他的英雄事迹多数是谣言,比如他从未像人们所描述的那样喜欢叼着烟斗,他爱的是烟。 归隐后的福尔摩斯当起了养蜂人,他周边的人只有管家芒罗夫人(劳拉·琳妮 Laura Linney 饰)和她的业余侦探儿子罗杰(米洛·帕克 Milo Parker 饰)。不过时不时的,他还是对那些陈年旧事耿耿于怀。福尔摩斯决心在没有华生(科林·斯达克 Colin Starkey 配音)帮助的情况下,侦破一起50年前的悬案,而这也将成为他人生中的最后一次历险。 本片改编自米切·库林的小说《心灵诡计》(A Slight Trick of the Mind)。
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在平静的河面上,一艘白色的蒸汽轮船笔直行走着。掌舵的司机米奇手握方向盘,哼唱着快乐的歌曲,连汽笛也奏响愉快的节奏。就在这时,真正的船长皮特出现,他赶跑了越俎代庖的米奇,霸气十足地站在了方向盘前。不久汽船靠岸,米奇协助将码头上的小羊吊上船,随后起锚航行。此时,迟到的游客米妮仓皇赶来。米奇协助她登上汽船,而米妮《TurkeyintheStraw》谱子则掉落地上,被贪吃的山羊吃进肚子。聪明的米奇和米妮将山羊变成了音乐播放机,他们和小动物们在汽船上上演了欢快的音乐演奏会……本片是米奇系列的第三部动画,却是该系列首部公开发行的作品。
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安迪·戈达德
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Five-year-oldConnorReidisstrangledandsecuritycamerasshowthetwolittlegirlswhobaby-sithim,Paigeandprostitute'sdaughterRose,takehimintotheemptyflatwherehiscorpsewasfound.IninterviewPaigebreaksdownandnamesRoseasthekiller,though,incourt,Rose'sbriefKimSharkeyinvitesthecourttoacceptPaigeastheguiltypartyandforensicsseemtoi...
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虽然HannahBaker的故事已经说完了,但《十三个原因13ReasonsWhy》的故事仍旧在继续,Netflix正式宣布续订这部根据同名小说改篇﹑在校园界略具争议的剧集第二季,并且BrianYorkey会接替DianaSon成第二季制作人。在首季讲述了女主为何会自杀后,第二季则会讲述她的死亡引起的余波﹑其他人复杂的康复旅途;第二季集数为13集,预定18年播出。
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迈克尔·艾普特
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暑假到了,长大的苏珊和彼得与父母生活在美国,露西(乔基亨莉GeorgieHenley饰)和埃德蒙(斯堪德凯恩斯SkandarKeynes饰)则借住到了姨妈家。这让他俩很不情愿,因为那里有个总惹人厌的表弟尤斯塔斯(威尔保尔特WillPoulter饰)。有一天,一幅描绘海上行船的油画活了起来,水面不断外溢,露西、埃德曼和小表弟就这样被卷入了纳尼亚世界的汪洋中。好在三人被大船上的凯斯宾王子(本巴恩斯BenBarnes饰)救起,原来他正在寻找王国旧臣的路上,四人于是共同展开了新的冒险。本片是《纳尼亚传奇》系列电影的第三集,改编自同名小说的第四部《黎明踏浪号》。
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
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影片以上世纪七八十年代的贝尔法斯特为背景。Terri Hooley是一名激进、叛逆的音乐爱好者。当时由于北爱尔兰问题,贝尔法斯特冲突不断、民不聊生,泰瑞的朋友们都选定了立场,要么拿起武器要么抛弃自己的家乡,但是泰瑞决定在全欧洲最爆炸声不断的街区上开设一家唱片行,并且取名叫 做「美妙的振荡」。泰瑞先后签下了两支乐队Rudi和The Outkasts,但直到他发掘了Feargal Sharkey和The Undertones之后事情才真正开始有所起色。当John Peel在BBC第一电台上连着播放两遍The Undertones的《Teenage Kicks》这棵一幕发生之后,泰瑞的音乐梦想成为了现实。但泰瑞并不是一个完美的英雄,他有着极其自私的一面,影片同时还展现了他作为一名丈夫和父亲极不任负责任,但是最终,你却不能不对这个人物感到敬佩。
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.