Dove
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尼克·科莱特
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GhostsreturnsforathirdseriesfollowingyoungcoupleAlison(CharlotteRitchie)andMike(KiellSmith-Bynoe),whounexpectedlyinheritagrandcountryestateonlytofinditisbothfallingapartandoverrunwithghosts.WhenahistoricaldocumentaryteamcomestofilmatButtonHouse,Alisonandtheghostsareshockedtodiscoverthattheassassinationplotthey’reexplori...
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SpikeLee
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FromLosAngelestoAmsterdamtoBerlinandback,PassingStrangetakesmusicaltheateronawholenewtrip.Fromsinger-songwriterandperformanceartistStewcomesPassingStrange,adaringnewmusicalthattakesyouonajourneyacrossboundariesofplace,identityandtheatricalconvention.Stew,apopularperformeratJoesPub,wascommissionedbyThePublicTheaterofNewYorktodevelopthisheartfeltandhilariousstoryofayoungbohemianwhochartsacoursefor“thereal”throughsex,drugsandrockandroll.Loadedwithsoulfullyricsandoverflowingwithpassion,theshowtakesusfromblack,middle-classAmericatoAmsterdam,Berlinandbeyondonajourneytowardspersonalandartisticauthenticity.
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尼克·科莱特
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GhostsreturnsforathirdseriesfollowingyoungcoupleAlison(CharlotteRitchie)andMike(KiellSmith-Bynoe),whounexpectedlyinheritagrandcountryestateonlytofinditisbothfallingapartandoverrunwithghosts.WhenahistoricaldocumentaryteamcomestofilmatButtonHouse,Alisonandtheghostsareshockedtodiscoverthattheassassinationplotthey’reexploringinvolvesoneoftheirown.Meanwhile,Mike-alwaysonthelookoutforfreepublicity-begsAlisontoaccepttheofferofatelevisioninterviewabouttheoldhouse.TheonlyhitchisAlisonisterrifiedofspeakingoncamera.Luckily,Thomasistheretocoachherintheartofspeech-giving.Whatcouldpossiblygowrong?
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《混乱之子》发生在一个虚构的加州小镇(Charming)上,面对毒品贩子和大型土地开发商的步步紧逼,一家黑白两道皆有名望的非法摩托车俱乐部奋起反抗--不仅要保护自己,也要保护小镇的安宁。故事的主人公JaxTeller(CharlieHunnam扮演)正处在激烈的思想冲突中,一方面他深爱自己手下这帮兄弟,另一方面他也希望俱乐部彻底摆脱“非法”的阴影。其他的主要人物包括Jax天生威严的母亲及担任俱乐部主席的继父。FromKurtSutter,writer/producerofTheShield,comesSonsofAnarchy,adarkdramasetinCharming,ashelteredcommunitywatchedoverbyarenegademotorcycleclubintentonprotectingthetownfromthenewcomersthatthreatenit.Jackson"Jax"Tellerisonememberofthebrotherhood,whofindshisownloyaltytothegrouptestedwhenheexperiencesitsincreasinglawlessnessandnotoriety,whileatthesametimeadjustingtolifeasafather.ButconfusingmattersareJax’smotherandstepfather,tworuthlessindividualswhohappentobethemastermindsbehindtheclub.SonsofAnarchyisbroadcastonFX,andproducedbyFXProductions,ArtLinsonProductionsandFox21.Theserieshasbeenpickedupforafull13-episodefirstseason.
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夏洛特·西林
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Thehalvesoftwobodies,onebelongingtoafemaleSwedishpolitician,arediscoveredinthemiddleoftheØresundBridge,whichconnectsCopenhageninDenmarkwithMalmöinSweden.Thebody,cutinhalfatthewaist,hasbeenplacedpreciselyontheborderbetweenthecountries,thusfallingunderthejurisdictionofboththeDanishandSwedishpoliceagencies.Afterfurtherexamination,itturnsoutthatthebodyisthatoftwoseparatecorpses,withonehalfbelongingtoaDanishprostitute.SagaNorén,fromtheSwedishside,andMartinRohde,fromtheDanish,leadtheinvestigationtocatchthemurderer.[4][5]Theinvestigationquicklyescalatesasajournalist,DanielFerbé,whosecarwasusedinthecrime,beginsreceivingphonecalls.Thecaller,whobecomesknownasthe"TruthTerrorist",claimstobecommittinghiscrimesinordertodrawattentiontovarioussocialproblems.Asocialworker,StefanLindberg,whosesisterbecomesavictimoftheTruthTerrorist,becomesanearlysuspect.However,eventssoonleadtheDanishandSwedishteamstoconcludethatthekillerhasconnectionstothepolice.Theydiscoverthatthecrimeshavebeenplannedoveraperiodofseveralyears.ThetraileventuallyleadsthemtoJens,aDanishpolicemanandformerclosefriendofMartin’s,whowasthoughttohavecommittedsuicideafteranaccidentonthebridgecausedthedeathsofhiswifeandson.Inthecourseoftheinvestigation,MartinandSagadevelopacloseworkingrelationship,althoughtheyareverydifferentpeople.Martinhasatwenty-yearoldsonfromhisfirstmarriage,August,whoisnowlivingwithMartinandhiscurrentwife,Mette,bywhomMartinhasthreechildren;afterMartinhashadavasectomy,Mettediscoversthatsheisexpectingtwins.Sagalivesaloneanddoesnotseemtofeelsheneedsaseriousrelationship,insteadpickingupmeninbarsforcasualsex.SheappearstohavesymptomsconsistentwithAspergersyndrome,resultingindifficultyestablishingrelationshipsandfeelingsofinadequacyinmanagingpeople;sherefusesapromotionforthislatterreason.Afterthekillerhasmurderedseveralpeopleandsuccessfullythrownredherringsinthewayoftheinvestigation,histruepurpose-tostrikeatMartinhimself-eventuallybecomesclear.Jens,nowcallinghimselfSebastianSandstrod,firstapproachesMette,whoissusceptibletohisadvances,afterlearningthatMartinhassleptwithCharlotteSöringer,awomanwhoisperipherallyinvolvedintheinvestigation.SebastianluresMetteandherchildrentoaremotespotwherehesubjectsthemtoaterrifyingordeal,lockingtheminwitharoomandgivingherahandgrenadewithitspinremovedtoholdaslongasshecan.However,SagarealisesthatAugustistherealtarget.Theinvestigationculminatesinaconfrontationonthebridge,whereshecannothelpbuttellMartinwhathappenedtoAugustandhastofireathiminordertopreventhimdestroyinghiscareerbykillingSebastian,thekiller’sfinalintention.
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盖尔·勒纳
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在5×01「GapYear」中,Dre跟Bow将Junior送到华盛顿的霍华德大学后未多少,Junior忽然回家宣告本人将复学一年(或许说「距离年」),这让他们感到非常担忧。Junior终日无所作为,于是Dre强制他到告白公司跟本人一同任务。Junior竟然获得了必定水平的胜利,这让他对大学的信心开端摇动:我真的有须要去上大学吗!与此同时,双胞胎Jack跟Diane发生一个疑难……他们能否该继承共处一室!他们当初是中先生(七年级)了,但他们的社会位置跟从前完整纷歧样。Bo在她谁人跋扈狂的任务场合交了一些新友人,乃至是铁杆盟友。第五季的故事时光向前腾跃了三个月,Dre跟Bow不只拯救了婚姻,并且当初过得还不错。本季会有另一个警员主题集,犹如2016年「Hope」这集。固然这集的内容不用定波及白人警员对黑人布衣滥用暴力,然而这集确定会说黑人外部的抵触心态——Andre试图向警方告发社区出租屋内可能存在的非法行动,但他的邻居邻里都是黑人,这让贰心态庞杂。11月13日的新集将是该剧第100集,制片人许诺这聚会给不雅众留下深入印象。他们将直接另一次勇敢实验,就像第四序首集的做法。依据已知新闻,这集将向传奇音乐人Prince致敬,感激他对剧中Johnson一家的主要影响。这聚会有大篇幅的音乐剧元素,Prince的经典歌曲「Kiss」!「WhenDovesCry」!「Let’sGoCrazy」将以某种情势涌当初剧中。
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热点电视剧Mission:Impossible报告[虎胆神算]是个团队,他们专门担任处理最高难度的秘密变乱,不只义务给的秘密,并且成败自行担任,当局完整不否认有这个构造跟义务,每次义务的给定,都是来自灌音带中涌现的声响,义务交接后,声响即被烧毁。团队首级[龙头老迈]担任企画,他深諳底下每个成员的才能,做出最精细十拿九稳的佈局,让每自我适任适份的表演好本人的脚色,然后按佈局实现义务。这很典范的是暗斗时期会涌现的影集。Anelitecovertoperationsunitcarriesouthighlysensitivemissionssubjecttoofficialdenialintheeventoffailure,deathorcapture.This7-yearserieschronicledtheadventuresoftheImpossibleMissionTaskforce(IMF),ateamofgovernmentspiesandspecialistswhowereassigned"impossiblemissions"bytheunseen"Secretary".Althoughthecastvariedovertheyears,themaincharactersincludedTheTeamLeader(DanBriggsthefirstseason,thenJimPhelpstheothersix),TheTechno-Wizard(BarneyCollier),TheStrongman(WillyArmitage),TheMasterofDisguise(firstRollinHand,thenTheAmazingParis),andTheFemmeFatale(CinnamonCarter,Casey,DanaLambert,MimiDavis).Theseriesisbestknownforitsopeningmissionassignment(conductedbyapre-recordedtape),thethemecomposedbyLaloSchifrin,theleader’sselectionofmissionagentsfromadossier,theopeningbriefing,theintricateu搜索引擎优化fdisguisesandatypical"maskpulloff"sceneneartheendofmostepisodes,andtherelativelackofcharacterizationofthecharacters.
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Fivemonthslater.SydneyquitstheCIAandjoinsaBlackOpsunitcalled"AuthorizedPersonnelOnly"alongsideDixon,Jack,Vaughnand...Sloanewhomforlimitedimmunityisco-operatingwiththeAPO.Meanwhile,thetruthSydneyfoundoutinWittenbergendangersherrelationshipwithJack,andeventuallysherevealstheawfultruthtoVaughn:aboutherfatherhavingIrinamurderedoverayearearlier.
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华纳兄弟与DCEntertainment协作的DC线上频道「DCUniverse」肯定于美国时光9月15日正式上线,别的其首部原创真人剧「泰坦Titans」则会在10月12日上线。「泰坦」由GregBerlanti﹑AkivaGoldsman(担任编剧)﹑GeoffJohns﹑SarahSchechter协作开辟,剧集报告DickGrayson(剧中扮演罗宾,现漫画里名号为夜翼,BrentonThwaites饰)从暗处现身,并率领起这支无畏无惧的豪杰团队。AnnaDiop扮演星火/Starfire/Koriand’r,立场倔强﹑不爱空话的她是位外星公主,她从兵士系的星球离开地球追求呵护;占有能量投射及飞翔才能的她为了在地球找到本人的地位,因此触摸泰坦这豪杰团队。「超能陆战队BigHero6」声演配角HiroHamada的RyanPotter扮演Garfield“Gar”Logan,亦等于野兽男孩/BeastBoy;小时的他因遗传学家双亲要直接研讨而被带到非洲寒带雨林,但他可怜患上了对人致命的疾病Sakutia。而在试验性药物的医治下,Gar保住了小命,但也多了反感化:起首他的皮肤及头发永远性的变了绿色,别的他亦有了化身成种莳植物的才能。TeaganCroft扮演渡鸦/Raven,她是超维度恶魔的女儿,占有壮大的魔力。但起首她得学会坚持沉着,否则可能因魔力而黑化。AlanRitchson扮演战鹰/Hawk,原名HankHall﹑MinkaKelly扮演白鸽/Dove,原名DawnGranger,他们是义警拍档亦是一对情侣,从「混沌神」与「法则神」手中掉掉落气力。战鹰是个布满袭击性,很会干犯他人的家伙,绝对白鸽则是看重策略﹑防卫性的轻巧妹子。LindseyGort扮演警探AmyRohrbach。
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.