voice

Forthetwo13-year-oldblood-brothersAlexandFerry,Hitlerswarisanexcitinggame–whichisnotsurprisingsincetheyliveinabackwatertownignoredbytheAlliedbombers.TheonlythingthatsmoreinterestingthanwatchingenemyplanesflypastistheburningdesiretodiscoverthesecretsofsexualitywiththefieryRosa.Butthenbombsactuallydostartfallingontheirlittletown–andtheboysaresenttoaCzechspatowaitouttheendofthewar.Blessedwithabeautifulsingingvoice,Alexjoinstheboyschoir,insistingthatFerryjoinittoo–blood-brothersshareeverything!ButtroubleisafootwhenAlexreplacesthe“HitlerYouth”watchdogasleadsoloist.Worseyetisanotherproblemtheyhavetocontendwith:AlexlearnsthathesJewish!AsthechoirpreparesaconcertthatHitlerisplanningtoattend,theboysaresweptupintoaworldofintrigueanddanger–andintothebedofthebraveandbeautifulpartisanHelenka...Withboththewarandtheboyshormonesraging,AlexandFerryembarkonacoming-of-ageadventureunlikeanyother.

《辛普森一家》是美国福克斯广播公司的一部动画情景喜剧，由马特·格勒宁创作。该剧通过展现霍默、玛琦、巴特、莉萨和玛吉一家五口的生活，讽刺性地勾勒出了居住在美国心脏地带人们的生活方式。空间设定于虚构小镇春田镇的《辛普森一家》，从许多角度对美国的文化与社会、人的条件和电视本身进行了幽默的嘲讽。为了给制片人詹姆斯·L·布鲁克斯制作一出动画短剧，马特·格勒宁构思出了辛普森一家人的形象。格勒宁用自己家族成员的名字逐一地给他们命名，而自己的名字则用“巴特”替代。1987年4月19日，短剧成为了《特蕾西·厄尔曼秀》的一部分。在播映三季后，《辛普森一家》得以转正进入半小时的黄金时段，并成为了福克斯在早期达成的成功之一。自1989年12月17日的首次播出开始，《辛普森一家》已播出了20季，共441集。2007年5月20日播出的第18季末集，是这部动画的第400集；同时，2007年亦是该剧播出的20周年纪念。于2007年7月26日和7月27日在全球上映的《辛普森一家大电影》，至今已获得约5.253亿美元的票房收入。第20季已于2008年9月28日开始播出。从作为一部电视剧制播以来，《辛普森一家》赢取了大量的奖项；其中包括24次艾美奖、26次安妮奖和1次皮博迪奖。1999年12月31日期的《时代》杂志将其评为20世纪最优秀的电视剧作；2000年1月14日，《辛普森一家》的星星被刻在了好莱坞星光大道上。作为美国历史上最长寿的情景喜剧及动画节目，《辛普森一家》对流行文化产生了极大的影响：譬如霍默·辛普森懊恼时的咕哝声“D’oh!”便被英语词典所收录；同时此剧亦对许多面向成人的动画情景喜剧产生了影响。辛普森一家，是居住在美国“心脏地带”式小镇春田镇的一个典型家庭。[46]家中的父亲霍默担任着春田镇核电站的安全检查员——这个职位与他粗心、弄臣式的个性显得很不相称。他的妻子玛琦·辛普森，是一位典型的美国式主妇和母亲。他们有着三个孩子：十岁的大儿子巴特是一个麻烦制造者；八岁早熟的女儿莉萨是一位积极行动主义者；小女儿玛吉是一个几乎不会说话，只能用吸橡皮奶嘴进行交流的婴儿。这家人养有一条名叫圣诞老人小助手的狗，以及一只名叫雪球二世的猫。两只宠物都曾在几集动画中充当中心角色。尽管度过了许多次节日或生日这样的年度重要事件，辛普森一家人都没有因为真实岁月的流逝而逐渐老去，其面貌与他们在1980年代末露面时并无二样。《辛普森一家》有许多乖僻的次要角色：同事、老师、亲朋好友、地方名人。格勒宁起初只是打算让这些角色出现一次，让他们充当笑料制造者，或用来填补小镇需要的一些功能。不过，大部分的这些角色后来都被保留了下来，其形象也得到扩充，甚至不少角色在后来还成为了几集动画的中心人物。据马特·格勒宁所说，动画采用了喜剧节目《第二城市电视台》（SCTV）中使用大量配角制作节目的概念。(摘自Wikipedia)TheSimpsonsisananimatedsitcomaboutthemodernfamily.ItisFOX’smostsuccessfulTVshowtodate.Itstartedasaone-minutefillerontheTraceyUllmanShowbutsoonevolvedintoAmerica’sfavoritecomedy.TheSimpsonsfocusesonafamilyoffive.Thereisthefather,Homer,adull-witted,alcoholic,lazy,butlovableman.Heoftengetshisfamilyintocrazysituationsbutalwaysmanagestofixthings.Themother,Marge,isastayathomemomwhokeepsthefamilytogether.Sheistheidealwifeandmotherthoughshecanbealittlenaiveattimes.Shealwaysdoeswhatshethinksisbestforherfamily.NextisBart,the10yearoldboywholivesonplayingpranks.Hegetsintoalotoftroublebutisgenerallyagoodkid.Nextistheneglectedmiddlechild,Lisa.Lisaisthebrainofthefamilyandsometimesfeelsleftoutbecauseofthat.Sheisanoutcastatschoolbecauseofhertalent.FinallythereisMaggiethebaby.Thoughshedoesn’tsaymuchsheiswellknownespeciallyforherredpacifier.Nowthelongest-runningcomedyintelevisionhistory,THESIMPSONSimmediatelystruckachordwithviewersacrossthecountryasitpokedfunofitselfandeverythinginitswake.Withitssubversivehumoranddelightfulwit,theserieshasmadeanindelibleimprintonAmericanpopculture,andthefamilymembershavebecometelevisionicons.January14,2009kickedoff"Best.20Years.Ever.,"ayear-longglobal20thanniversarycelebrationofallthingsSIMPSONS.TheyearwillconcludeonJanuary14,2010andwillfeatureTHESIMPSONS20THANNIVERSARYSPECIAL–IN3-D!ONICE!,producedanddirectedbyAcademyAward-nominatedfilmmakerMorganSpurlock("SuperSizeMe,""30Days").Inthespecial,SpurlockwillexaminetheculturalphenomenonofTHESIMPSONSinhisdistinctiveandinnovativestyle.Thecriticallypraisedserieshasbeenbestowedwithnumeroushonors,includingrecentlyreceivingfiveEmmynominationsforthe2008-2009season.Overthecourseoftheirtwo-decaderun,THESIMPSONShavewon24EmmyAwards:12forOutstandingVoice-OverPerformance,10forOutstandingAnimatedProgramandtwoforOutstandingOriginalMainTitleThemeMusic.THESIMPSONSisaGracieFilmsproductioninassociationwith20thCenturyFoxTelevision.JamesL.Brooks,MattGroeningandAlJeanaretheexecutiveproducers.FilmRoman,aStarzMediacompany,istheanimationhouse.MikeB.Andersonservesasthesupervisinganimationdirector.

官方网站:http://www.cwtv.com/Genre:ComedyTagline:InspiredbyChrisRock’slife...asakid.(more)埃米奖得主，演员，喜剧演员克里斯里克小时候生活的启发StatusUpdated:2April2005开播日期Creditedcast:TerryCrews....Julius他饰演爸爸，曾经在小姐好白，天王战警,最长的一码等片子中出现TichinaArnold....RochelleTequanRichmond....Drew这个小男生在Ray中出现过ImaniHakim....TanyaVincentMartella....GregTylerJamesWilliams....ChrisChrisRock....Himself-Narrator(voice)(more)一看到这个名字就会联想到EverybodylovesRaymond人人都爱雷蒙德。我开始还有点忿忿不平，虽然雷蒙德结束了，你就这么糟蹋那个名字感觉像侵犯版权抱着好奇的心情下了一集，看看竟然是全黑人演的，又有点不习惯了--虽然电视电影里的黑人很多，但是这样完全黑人的也没见过啊。结果觉得这个戏真的很不错。Chris--原来以为完全是虚构的人物名，查了一下才知道还有原型，就是生于1965年的ChrisRock克里斯里克，他曾经出演过很多的经典电影，致命武器4，护士贝蒂，马达加斯加1还有没完成的2，和亚当桑德乐合作的最长的一码虽然一半就死了，不过总是个金牌配角阿。而且印象深刻。现在他演而优则导，成了这部电视剧的执行制片人并且负责旁白Chris的故事发生在美国80年代初，一个天真可爱的小男孩，名字叫克里斯，他有一个弟弟，长得比他高，比他帅，也比他混得开，甚至女孩子们都围着他转。他有一个妹妹，可以说是他的克星，不仅所有的错事都推到他头上，还经常出坏点子整他还向妈妈打小报告。尤其他们吵架的时候妹妹就发出可怕的尖叫，妈妈会马上赶来教训克里斯。这样的大哥当然是没什么权威的，家里的杂务倒是整天落在他头上。他们家搬家了，从政府的廉租屋搬到了黑人聚居区，虽然环境依然很差，但是他的父母已经尽力了。他的母亲是个非常厉害的女人，她的尖叫能够震撼整个社区，她爱自己的孩子，但是对女儿很偏心，对这个大儿子就不怎么上心了。她总是很容易就找到工作，因为很能干，但都没几天就辞职了。因为自尊心太强，而且她有坚强的后盾chris的父亲---她每次都会扔下这句话：我的丈夫做两份工作养活家里。父亲是是我最喜欢的人物，他是这条街上为数不多的四个爸爸之一，其他的单身母亲看到这么英俊强壮的好男人不禁都抛来了媚眼，不过他还是始终如一爱着自己的家庭，做自己的好丈夫好父亲，不分黑夜白天打着两份工。他最大的优点是能把任何东西量化为数字，比如收拾桌子，他会说这是几美分的面包，这个是几美分的果酱，这个又是几美分的剩汽水，这半个鸡翅又值几美分。。。当然都把这些剩菜吃下去了，每次看到这样的镜头我就忍不住好笑。不过这可不仅是小气，他们家确实不宽裕。说完了那些家人就说我们的chris,他母亲认为孩子在黑人学校读书没前途，找了间白人学校让他读书，克里斯去学校要换乘好几辆车不说，白人堆里的黑人还受欺负，黑人社区的那些人都不认得他，把他当外来人欺负，提起了弟弟的名字，别人才放过他。他看上了邻居sheila，可她对chris的弟弟有意思。被自己弟弟比下去就算了，妹妹更是骑在他头上，诬陷他欺负他。他在一个全白人的小学里，唯一一次受到重视就是体育老师那次，学校篮球差劲透了，众所周知篮球是黑人的天下，体育老师看到他，自然把他当成篮球队的救星，千方百计求他入队，老师也让他考试及格，别人的态度也立马好转，只是chris是不会篮球的黑人，他加入的篮球比赛只能用灾难来形容......圣诞节到了，chris用各种方式来提醒他妈妈今年的圣诞礼物要walkman随身听做礼物，他把广告放在妈妈的发卷里，放在妈妈的杂志里，放在......最后热水器坏了，父母决定把chris的礼物钱买热水器，当然全家的态度也由此转变，父母因为愧疚对他呵护备至，吃炸鸡给他最大的，连妹妹欺负他都不再护着妹妹了......正当chris觉得这个圣诞虽然没有礼物，却是他度过的最好的圣诞的时候,他的老师给贫困家庭送温暖来了，最要面子的母亲看到电视上被称为贫穷的需要帮助的家庭就是自己家时，就大喊chris........灾难再一次降临到可怜的克里斯头上电视作品里面家庭的故事，一般都是社会精英，中上层家庭，如英冠庄园，钻石王朝，"BeverlyHills,90210"，成长的烦恼，everybodylovesraymond等，这样描写中底层甚至贫困人口的片子实在不多。片子很短都是十几二十分钟一集，而且每集的名字都是everybodyhates......每集的内容都不一样，但相同的是片子中浓浓的亲情。无论父亲多么在乎那几美分，母亲多么声嘶力竭的骂人，克里斯多么倒霉他们都是相亲相爱的一家子，普普通通，有争吵也有快乐的一家....

AveryJennings(G.Hannelius)andTylerJames(LemonadeMouthstarBlakeMichael)arestep-siblingsfromPasadena,Californiawhohateeachotherbutcometogetherinthepilotepisode.Thefamilyfacesanevenbiggeradjustmentwhentheydiscoverthattheirnewdog,Stan(portrayedbylive-actiondogsKumaandMick,andvoicedbyStephenFull),cantalk.OnlyAvery,Chloe(FrancescaCapaldi),andTylerknowhecantalk.Unbeknownsttothefamily,Stanalsohasablog,whichheusestodiscussthehappeningsintheJennings-Jameshousehold.ThechildrenlearnofStan’stalkingabilityinthefirstepisodeandagreetokeepitasecretfromtheirparents,fearingthatiftheworldfindsoutthatStancantalk,hewillbetakenawayandexperimentedon.[2]In"StanTalkstoGran"Bennett’smotherGrandmaJameslearnsStancantalk,butpromisesthekidstokeepitasecret.

该剧讲述死守犯罪现场的黄金时间的112中心的成员们和撼动韩国的极其凶恶的网络犯罪中被称为“Dr.Fabre”的DarkWeb背后的巨大的犯罪大鳄对抗的故事，是成员们和犯罪的第三次记录。

33-year-oldDebbieMaddox(MarthaHowe-Douglas)isbecomingincreasinglyboredwithlifeasasuburbanstay-at-homemum.Thenonedayanelf(voiceofMathewBaynton)appearsfromaportalinhercupboardinsistingthatshe’sthe’ChosenOne’destinedtosaveYonderland,amagicallandthreatenedbytheevilNegatus(SimonFarnaby).Reluctantly,DebbieagreestomeetwiththeEldersoftherealm...onlytodiscoverthatthey’velostthescrollthatexplainswhattheChosenOneisactuallysupposedtodo.Yonderland,itturnsout,isaverysillyplaceindeed,anditwilltakeallDebbie’sresourcestocompleteeachweek’squestintimetopickupthechildrenfromschool.

《双面法医Dexter:EarlyCuts》动画网络剧总共12集，将于北京时间10月26日在SHO电视台的网站上播出，刚动画系列将讲述Dexter年轻的时候是如何一步步成为现在的“连环杀手”的。ShowtimeAnnouncedThatItIsProducingA12-PartWebisodeAnimatedPrequelToDexterNamed"EarlyCuts".MichaelC.HallWillRepriseHisRoleAsTheVoiceOfDexter.TheCurrentStorylineInThisSeriesInvolvesDexterHuntingAFormerMarineSniper.ThisIsPresumablyTheSame...

每自我在某个处所总有一个属于你的人存在。“我心狂野”就是让这种信心实现的故事。它报告的是拉忽尔,一个不信任恋情的人的故事。拉忽尔不太懂得人们是怎样可以在一同相处终生,莫非真的有人是属于他的吗！这又是对于坡佳,一个信任必定有人是属于她的,并且她必定能赶上那自我的女孩的故事。这仍是对于妮莎,一个以为恋情就是友情,终有一天她的妄想会实现的故事。这部片子另有精彩的音乐献给那些有妄想而布满热忱的人们。他们的妄想能实现吗！他们能找到他们的真爱吗！影片将让咱们信任每自我在某个处所总有一个属于你的人存在。Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 - no other film has touched me like this.My extreme love for DTPH is because of following reasons.. ->Its tag line touches me i.e someone somewhere...is made for you. ->Its story line and Yash Chopra's perfection as a director. ->Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) ->Uttam singh's background instruments rock me whenever i listen to the numbers. ->Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. ->Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. ->I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.

《Voice》第二季将由李阵郁、李荷娜主演，《特殊案件专案组TEN》导演执导。本剧接续第一季，继续讲述“112中心黄金时间队”的工作，并追逐杀害他们家人的连锁杀人犯、解决案件的过程。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.